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United Kingdom
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10 x 10 in ($50)
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White ($80)
This is the first talking icon in the history of human religion. It contains a compact audio player with popular music and an audio device with reproducible human speech. Various colourful levels symbolise the complexity of the astrophysical component in the existence of mortal life and emphasise the supremacy of spiritual beings in organic hierarchies. The extremely balanced composition of the object gives it the quality of the "golden ratio" object. An electronic device that is embedded in its body reproduces the basic phrases of a human child, that can easily be identified as sounds made by a highly developed creature. Due to its unique properties, the icon can be used as a sacred carrier of information and can be sent into the distant interstellar space to portray the diversity of life and culture on Earth for any intelligent extraterrestrial life forms. INSTRUCTIONS: Push the buttons to start performance. Listen carefully to the prophetic sound content.
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
Born in the USSR. Studied in Russia and UK. Live and work in London. I create icons, but my forms of iconography are unlike any other. My icons are contemporary cultural hybrids; unusual, unnerving, stark and controversial. “Oleg's highly attractive ‘symbolic sculptures’ may not seem innocuous, but they are beguiling – and contain a myriad of tensions. He has transformed the art of icon making – the all-powerful nature of a created symbol – and tried to liberate the icons which pervade society, from their conventional roles. His art joins precise sacred paintings with interactive electronics, such as microchips, mobile phones, radios and plastic toys – juxtaposing religious iconography with modern consumerism. But the creating this symbiosis between the imagery of modern world and the religious myths, Oleg has created a new commentary on popular culture. His icons represent the changing times of our society, peoples attitudes, politics, and as he says “the unification of two polar things: old magic and new technologies.” The art which Oleg produces has the unique ability of provoking the mind and the heart, which makes it doubly combustible. What’s interesting is how our environment has become so pervaded with icons, so saturated with symbols which aren’t just revered, but also derided, spoofed, and mixed, that people seem to have become immune to any mixing that takes place, and can be comfortably indifferent to the amalgamation of sacred symbols.” Brandon Hooper Oleg Ikona has exhibited widely in Europe and America, bailed as a witty inventor, cosmopolitan and poetic; yet in Russia be encounters widespread State and Church criticism for the anti-religious morality of his work. At 2004 after religious attacks on his art he left Russia for UK as refugee. His studio with art works in St. Petersburg burned down a month after he escaped. No one found guilty.
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