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Austria
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12 x 9 in ($40)
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White ($80)
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Artist featured in a collection
"Abstract landscape with silhouette of a city" and "Abstract landscape with black clouds", also part of the series "glue paintings", were both inspired by a text in rhyme, seemingly attributed to an alleged soothsayer of the 16th century. In her verses I found a passage which excited my imagination to create these two images of a place, landscape or city being overshadowed by abnormal clouds. The athmosphere I hope to have created alludes to an apocalyptic threat. I did not make any mention of this in the title because I want viewers to be as less preposessed by any preconceptions on my part as possible. That is also the reason why I did not hint to the religious connotation in a more obvious manner. In my view, relgion also in historical terms can be incorporated into art, without running risk of make the work of art tendentious.
Print:Giclee on Fine Art Paper
Size:12 W x 9 H x 0.1 D in
Size with Frame:17.25 W x 14.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Austria
Born and raised in Vienna, I was trained at the "Künstlerische Volkshochschule Lazarettgasse" in naturalistic, portrait and figure drawing for several years, and was taught oil as well as watercolour painting techniques. Later, I studied Classical Philology and Philosophy at the University of Vienna. My two great passions are visual art and literature. Having said that, I think it necessary to say that I do not mix up my interests in literature with my painting, but rather let them stand and thrive separately. Yet, although my literary and theoretical training may not have an impact on my visual artworks, it plays a crucial role in my artistic thinking, for it helps me to find a way through the sheer impenetrable jungle of contemporary art theories, concepts and ideas that shape our modern thinking of what "good" art is or ought to be. Even if I use a variety of different media and materials, I have a unique and very deep passion for watercolour. This is the medium I discovered first as a child, this is the medium I learned with how to represent reality. Since then, of course, my style expanded beyond realism. Now and then, however, I return to it. But my love for watercolour is still the same. It is my aspiration to find a completely new form, a new visual language for watercolour, as it were, because, looking at watercolour painting today, I surmise that most of it seems stuck somewhere between a formulaic form of realism and an odd revival of expressionism.
Artist featured by Saatchi Art in a collection
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