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Clin d’œil, Dali Print

Richard Routin

France

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8 x 12 in ($60)

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About The Artwork

Acrylic Painting: A nod to Dali ORIGINAL WORK: Subject: acrylic painting Acrylic paint on hahnemuhle 500gsm paper Dimension cm 88 x 58 cm + 2 cm white margin Unique piece, original work Certificate of authenticity signed by the artist Description GLANCE SERIES This painting is part of a series of winks around artists who, through their expression, have tickled my senses and my imagination, and all of them have inspired my current work. A nod to DALI Salvador Dali, a famous surrealist artist, used the horse as a symbol in many of his paintings, often to express themes such as power, freedom, death and sexuality through strong and often elaborate symbolism. Sometimes exclusively conceptual, in particular all his work on the relativity of time, sometimes more metaphorical, I have always been conquered by this rich and complex universe, disturbing and powerful. In his work "The Temptation of Saint Anthony", we can see in "these monsters" and more particularly his horse a symbol of temptation, irrationality and perhaps even madness. Me in these very long legs I see a great lightness in front of the mass that represents a horse. This vision of the thing pleases me a lot even if it is not necessarily the one he wanted to symbolize. After all in art everyone sees at his door. For me, this interpretation fits perfectly in my work of interpretation around this struggle between the telluric and weightlessness. And then good .. In this broad conceptualization of time as a relative and elastic value could we not see a form of emancipation. Like this search to free oneself from physical embraces of all kinds. Emancipation from weightlessness is one of them. I also modeled the shapes in this painting and split them. A few Dalis and two horses from the same base. Why not? What better way to express several emotions without too much expense..

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:8 W x 12 H x 0.1 D in

Size with Frame:13.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

If we know exactly what we are going to do What's the point of doing it. Pablo Picasso "Escape and extirpate from the depths of your entrails this animal, passionate being, accompanied by its overflow of repressed emotions and finally give it a reason for being, give it the power to express itself, constantly nourish it, until 'until it invades you' Everyone has their own way of approaching art. As far as I am concerned, and if I go back to my most distant childhood memories, it was without a shadow of a doubt always motivated by an insatiable search for freedom. This absence of hindrance that only drawing and painting have always offered me. Gradually remove one by one these elements that I would call "disturbing", and which connects you to reality, to this visceral anguish of doing wrong, of not pleasing, of disappointing. Escape and extirpate from the depths of your entrails this animal, passionate being, accompanied by its overflow of repressed emotions and finally give it a reason for being, give it the power to express itself, constantly feed it, until until it invades you. This is perhaps why drawing, painting, were always a necessity for the neurotic being that I would undoubtedly have become without the contribution of this real breath of oxygen. This is also why I do not remember a moment, as far back as my memory can go, when I put down my pencils and my brushes. More or less cured of this fear, today I am in a completely different process. That of exchange, that of exhibiting this sensitivity, that of revealing oneself. Maybe it's pretentious, who isn't? Perhaps it is presumptuous, but the very idea of ​​provoking emotions for as many people as possible, of exposing oneself in this way remains such an intoxicating sensation that it seems difficult for me to do without it. No art school. Minot I did not want to let myself be locked into a kind of straitjacket that I did not feel, at the time, really constructive, in a purist self-taught approach that I claimed. No matter…. hard work and passion allowed me to explore my own paths and make my own mistakes. But why the horse, will you tell me? Well I would say dating. First of all with my wife, this wonderful and passionate being, who shares with the horse this same bond that I share with painting. I have devoted to these sides a real passion for this curious quadruped. This inextricable bond of freedom and becoming one with the animal.

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