VIEW IN MY ROOM
A contemporary, statement twist on old and/or famous sculptures of even older stories - in my personal, darker key. Inspired by how these old myths, legends and stories have carved their way through generation after generation and been interpreted by artist after artist. This Acrylic on stretched canvas painting is based on the Gustav Herold Sculpture of the titan Atlas holding up the skies - in Frankfurt, Germany. I also have 'glitched' the image as a nod to the modern digital artist era, and the kinds of effects which can be achieved with digital art tech, even if my process and technique is much more 'traditional' in nature. I aim to combine history with the contemporary, creating statement art which both gives room to reflect on history, continuing the pattern of keeping these legends alive and to inspire new interpretations and new ideas to be reflected too. As Herold's Atlas is supported by figures representing Steam and Electricity (which was the tech of his time), my interpretation of Herold's Atlas also now holds a representation of the skies as we see them through our generation of technology - a sky interpreted and inspired by the kinds of images we see through modern telescopes, lenses and the legendary Hubble Telescope. As astrophysicists say - the further you look into the skies and space, you look further back in time. It seems to me an almost romantic parallel, even if it’s in a darker, more melancholic tone.
Original Created:2022
Subjects:Classical mythology
Materials:Canvas
Styles:FigurativeFine Art
Mediums:Acrylic
Print:Giclee on Fine Art Paper
Size:8 W x 12 H x 0.1 D in
Size with Frame:13.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
After crashing out of Art higher education at 19 in a blaze of burnout and disappointing experiences, I put down the paintbrush for a while and settled into life as an introverted creative in a seaside town in the English West Country. The rather abrupt end to my potential fine art career before it had even really started was difficult. For the following years I moved in a different direction - making a living from sewing whilst exploring music and other creative outlets. Eventually, almost a decade on during the 2020 pandemic I picked up a paintbrush again and re-acquainted myself with art. It was like meeting up with an old friend. We hadn’t parted on the best of terms and I had a lot to catch up on. It was – and is - a delight. I bought some new paints – one of which was claimed to be the world’s blackest black acrylic paint. I nicknamed it “void paint” and became a staple of this new era of artwork - The name ‘V.O.I.D’ became a natural extension of that. I sold my first painting in the summer of 2021, and I had a piece displayed in an exhibition at a local gallery later the same year. A new chapter had well and truly started and I’m excited to see where it leads.
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