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As this series of paintings progressed, they became simplified and introspective. This happened a lot during my 8 years living near Death Valley in California. The loneliness of the desert always turned your eyes toward an inevitable death. So, here, we have a character; not fully developed, not fully aware of what drives them personally. They are faced with the skull of an early human. What I see here is the dilemma that we as humans are all faced with the immensity of the universe and at the same time we cannot fathom the things that make us tick. As an aside, I’ve always seen the Venus of Willendorf, the fertility doll, as a deep metaphor for human development. Most of our humanity springs from our erogenous zones as opposed to any other part of our body. I guess most of my work features emotional, or energetic portraits of humanity.
Print:Giclee on Fine Art Paper
Size:8 W x 10 H x 0.1 D in
Size with Frame:13.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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David Aaron Smith is a 34 year old painter, sculptor, and installation artist from rural Louisiana. He’s best known for the past eight years of his career where he founded Villa Anita in Death Valley, an architectural sculpture museum that invited visitors to stay overnight in “livable sculptures” built almost entirely from repurposed materials. A mixture of installation and performance art, Villa Anita in Death Valley has become a stalwart of ongoing Southern California Junk Dada, and most of the work you see there was made by Aaron. You may have seen more of Aaron’s work in solo and group shows in different parts of California. In the fall of 2019, he took on one of his most ambitious projects for a solo show at Gardenville Station in San Francisco. He spent a week with fellow artist, Katelyn Doherty, and filmmaker, Robin Malo, interviewing people from the Bayview Neighborhood, collecting repurposed and discarded material from that same area, and building sculptural portraits of the sitters. The result became a multimedia portrait of a whole community that is current being eroded away by gentrification and the prospect of bringing in more valuable residents.
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