VIEW IN MY ROOM
United States
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Fine Art Paper
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12 x 8 in ($65)
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White ($80)
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How I made this: The masking for the grid was sealed with a viscous, transparent mix of reds and yellow earth tones so there is a lot of optical action as our cortex tries to rationalize the flecks of color bouncing around behind the black grid. The flying rectangles have a calligraphic "donut" around them that makes them both separate and stick to the grid. Like the first one from 78 I put down some base color on the rectangles and started over them with some nacreous white and slivers of gold leaf. The gold was laid down as I added layers of white to make a nice foggy effect that might help us imagine we’re looking into a little floating world. The gold leaf glows in oblique light so when we walk by we get some nice flashes of light and a subtle indication of multiple colors embedded in the rectangles. This piece is 13.75x22.5in, it should be framed but the paper is heavily prepped so glass probably isn't necessary but it could be mounted on canvas.
Print:Giclee on Fine Art Paper
Size:12 W x 8 H x 0.1 D in
Size with Frame:17.25 W x 13.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United States
I was raised in a small town on the California Mexico border. My parents were both artists, father-architect, mother-painter/ceramicist. Several kinds of art activities were always on the schedule whether it was visiting craftspeople in Mexicali, silkscreening Christmas cards that I would design, watching my mother paint - and always drawing. One year we painted 20 larger than life versions of Lautrec’s Parisian night life scenes for a “church” gala. My father was not only an architect but he made things-that’s where I learned how to make things-and now I make things too. I was educated locally and at CU Boulder, CalARTS and Cooper Union.Some of the teachers that had the biggest influence with me: Jerry Kunkel, Jack Whitten, Paul Brach, Miriam Schapiro, Lynda Benglis and Jim Starrett. My work has been exhibited in Los Angeles, Kansas City, Hawaii and is in both corporate and private collections around the country. In 2017 I partnered with another artist to produce twenty large scale images for a Metro station in Santa Monica California. Now my practice consists of sculpture (with a bend toward the utilitarian,) architectural rendering, life and plein air drawing and watercolor (of which I’ve published several books) and complex formal abstraction that encompass’ my interest in natural phenomena, psychedelic experience, western and eastern systems of geometry and philosophy. I love ambiguities – in shape, pigment, texture, as well as a more contemplative aspect of focus and intensity.
Artist featured by Saatchi Art in a collection
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