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United Kingdom
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10 x 10 in ($90)
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White ($80)
Clotho, Lachesis and Atropos They controlled the mother thread of life of every mortal from birth to death. They were independent, at the helm of necessity, directed fate, and watched that the fate assigned to every being by eternal laws might take its course without obstruction. Both gods and men had to submit to them. Clotho (/ˈkloʊθoʊ/, Greek Κλωθώ [klɔːtʰɔ̌ː]”spinner”) spun the thread of life from her distaffonto her spindle. Her Roman equivalent was Nona(“the ninth”), who was originally a goddess called upon in the ninth month of pregnancy. Lachesis (/ˈlækɪsɪs/, Greek Λάχεσις [lákʰesis]”allotter” or drawer of lots) measured the thread of life allotted to each person with her measuring rod. Her Roman equivalent was Decima (“the Tenth”). Atropos (/ˈætrəpɒs/, Greek Ἄτροπος [átropos]”inexorable” or “inevitable”, literally “unturning”, sometimes called Aisa) was the cutter of the thread of life. She chose the manner of each person’s death; and when their time was come, she cut their life-thread with “her abhorred shears”. Her Roman equivalent was Morta (“the dead one”).
Original Created:2019
Subjects:Portrait
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
Surya de Wit is best known for her portraiture in which she incorporates a variety of unconventional materials with an aim to create a sense of tangibility to the audience. Her portraits are inspired by her experiences and how she identifies with people that she encounters. Her work is characterized by her vibrant melody of colours and materials that are used cohesively to create the atmosphere and portrait that she wants to depict. She recently returned from Bolivia where she was working with indigenous female weavers in a rural community in Bolivia, to promote their creativity and to explore other creative outlets outside of weaving.
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