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France
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Fine Art Paper
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8 x 10 in ($70)
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White ($80)
I wanted to evoke New York from an imaginary point of view : City by night,. lights of the City. New York, "the city that never sleeps" as it is often described. . I chose as symbol its skyscrapers that give vertigo, that allow the view from above. I used contrast between warm colors and cold colors.. . I wanted to make you feel dizzy feeling. Atmosphere of the city and its nightlife, suggested by the only decor. A quirky, minimalist view. A powerful evocation. Acrylic with brushes and mixed media. Canvas stretched on a single piece 3D wooden framed. I chose a deep frame.. Ready to hang. .Vertical rectangular format..
Print:Giclee on Fine Art Paper
Size:8 W x 10 H x 0.1 D in
Size with Frame:13.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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France
French Woman) For me Abstract painting is emotion in colors. forms, energies, arise for a plural look I liked art very early, I started with drawing and painting (freehand reproductions). My motivation was always need to create. I realized it by writing and especially by self-taught painting. I secretly nurtured a vocation of artistic expression that grew in power. I visited galleries and museums in France and abroad, I followed artistic learning (university drawing course: figurative). Visits to the workshops of contemporary painters who kindly welcomed me, were the definitive trigger in years 2000 of a more intense practice. My taste for aesthetics, colors, textures and free expression of deep emotions naturally led me to contemporary on the margins of my professional activities. I took online acrylic painting courses. Here are some of my paintings. I use acrylic for its fluidity. I work mainly with brushes, brushes, sterilizers, sometimes in mixed technology with knives, spatulas, sponges, hands, sprays, pouring. I try to combine spontaneity and pictorial structure. My starting point can be intuition, impression, nsight (an inner vision), colour, line, shape… I like surprises and plastic incidents. I often play with effects of reliefs, movements, drops, dissonances, contrasts, irruptions, unfinished.
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