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O Romeo, Romeo, where art thou Romeo? Print

Theo Overgaauw

Netherlands

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About The Artwork

all works are signed on the reverse " O Romeo, Romeo, where art thou Romeo?", presents a satirical portrayal of a once-youthful and romantic Romeo who has undergone a transformation due to the passage of time and the rigours of married life. It playfully explores the theme of men who have embraced a more relaxed and indulgent lifestyle after settling into long-term relationships. At the heart of the painting stands a male figure who has become significantly overweight, with an open jacket revealing his sizeable belly. His head is painted in patches, displaying a mosaic of white, dark red, ochre, and black, creating a striking and fragmented visage. While his eyes and mouth are visible, his nose is conspicuously absent to avoid any kind of recognition. Adding to his distinctive look, the man sports a blueish-grey beard. The multi colours that compose his ample belly are diverse, reflecting the eclectic elements of his persona and the indulgences that have contributed to his transformation. His pinkish jacket, now straining to contain his larger frame, symbolises the remnants of a more youthful and stylish past. In the background, a vibrant and bold green canvas serves as a backdrop to a series of diagonal painted roses that traverse the composition. These roses range in color from yellowish-red to vibrant red to deep, almost purple-red, creating a vivid and visually striking contrast to the central figure. The use of Shakespearean text, altered slightly from "O Romeo, Romeo, wherefore art thou Romeo," serves as a nod to the classic romantic narrative while adding a layer of humor and irony. In this context, Romeo has undergone a humorous metamorphosis from a slim, well-dressed young lover to a figure who has let himself go.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:8 W x 10 H x 0.1 D in

Size with Frame:13.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My artistic practice is one of constant evolution and experimentation, shifting between ideas and techniques as I seek to keep the process fresh and challenging. Beginning with figurative art during my early days at the academy, I embarked on a transformative trajectory that includes periods of abstraction and a return to figurative painting. These shifts occur deliberately and gradually, rekindling the artistic challenge and infusing fresh vitality into my creations. Personal life experiences, including profound moments like the loss of a loved one or a transition from a vibrant urban environment to a tranquil countryside, have been instrumental in shaping these transformative shifts. Presently, my artistic exploration centers on scrutinizing the intricate connections between religion, particularly Christianity, gender dynamics, and their collective ramifications on society. I hope to raise thought-provoking questions about the enduring influence of strong religious doctrines, which, despite waning in contemporary society, continue to shape both our legal systems and perceptual frameworks. My artistic style oscillates between the realms of abstraction and figuration, with alternating phases where one style takes precedence over the other. Working primarily with acrylics and oil paints on linen, I embark on each piece with a blank canvas and minimal premeditation. This approach empowers me to paint with a sense of unrestrained freedom, sidestepping the potential constraints of meticulous preliminary studies. Such studies, while useful for some, could potentially stifle my genuine joy of painting and the innate vitality that emerges within the artwork itself.

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