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ROBERT CRUMB Print

James Jackson

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About The Artwork

Robert Dennis Crumb ( born August 30, 1943) is an American cartoonist and musician who often signs his work R. Crumb. His work displays a nostalgia for American folk culture of the late 19th and early 20th centuries, and satire of contemporary American culture. Crumb is a prolific artist and contributed to many of the seminal works of the underground comix movement in the 1960s, including being a founder of the first successful underground comix publication, Zap Comix, contributing to all 16 issues. He was additionally contributing to the East Village Other and many other publications, including a variety of one-off and anthology comics. During this time, inspired by psychedelics and cartoons from the 1920s and 1930s, he introduced a wide variety of characters that became extremely popular, including countercultural icons Fritz the Cat and Mr. Natural, and the images from his Keep on Truckin' strip. Sexual themes abounded in all these projects, often shading into scatological and pornographic comics. In the mid-1970s, he contributed to the Arcade anthology; following the decline of the underground, he moved towards biographical and autobiographical subjects while refining his drawing style, a heavily crosshatched pen-and-ink style inspired by late 19th- and early 20th-century cartooning. Much of his work appeared in a magazine he founded, Weirdo (1981–1993), which was one of the most prominent publications of the alternative comics era. As his career progressed, his comic work became more autobiographical. In 1991, Crumb was inducted into the comic book industry's Will Eisner Comic Book Hall of Fame. He is married to cartoonist Aline Kominsky-Crumb, with whom he has frequently collaborated. Their daughter Sophie Crumb has also followed a cartooning career.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:8 W x 10 H x 0.1 D in

Size with Frame:13.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Having no formal training or necessity to paint or draw as part of a career, my main drive and desire to draw is derived from a long lived personal fascination with people's faces and all they betray. One's face and expression always tells a story and the paintings are a snapshot into someone's life and a moment of transition or a key experience and life defining moment for that person. As a painter I am solely drawn to the face and care not for accuracy, form or detail, mainly interested in the light and how that works and illuminates. Having worked with oils, acrylics and brushwork, as are a few larger exhibits on show, my main technique is to build the portrait with a black marker pen to first boldly draw the face using outline, shading, cross hatching and traditional pencil and pen techniques as this can transfer an idea more effectively than a paintbrush. This establishes a strong starting point. I then paint to embellish and add colour and depth applied with brush, sponge, finger and a range of 'smearing' methods. Overall this produces a pleasing effect, utlilizes any skills in the right proportion and makes for a speedy process to keep things flowing and interesting to myself as I go through the creative journey and, with the best intentions, interesting to the observer afterwards.

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