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8 x 12 in ($100)
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White ($80)
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Il 1899 iniziò male per Rosalind Turner, poiché ricevette la sgradita notizia che l’appartamento di Londra non sarebbe stato disponibile in primavera. Pertanto in marzo accettò l’offerta del suo buon amico James P. di trasferirsi in Swindon. Con grande felicità di Rosalind, gli interni erano perfettamente illuminati da magnifici lampadari. 1899 got off to a bad start for Rosalind Turner, as she received the unwelcome news that the London apartment would not be available in the spring. Therefore in March she accepted the offer of her good friend James P. of her to move to Swindon. Much to Rosalind's delight, the interiors were perfectly lit by magnificent chandeliers.
Print:Giclee on Fine Art Paper
Size:8 W x 12 H x 0.1 D in
Size with Frame:13.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Fiorentina Giannotta (New York, 1964). www.fiorentinagiannotta.com So the dreams, apparitions, and thoughts that crowd our minds when waking early in the morning, in a widespread ironic visionary that only passion can make real. But also figures to read as illustrations and testimonies of an era beyond any possible anecdotal descriptiveness, recalling that in the end, of what is seen here, is some sort of approval of the image. Fiorentina Giannotta, through printing, always draws from her archives, including specific choices and defined references, arriving at a solution that as the artist says “are inspired by great painters, from novels and fiction”, in a widespread vision that becomes a work of art that overcomes the concept of form. Thanks also to a particular mastery in the representation of physiognomic, in compliance with the wildest imagination and subtle alliance between material and color that only light can make concrete. And the characters, as though surrounded by a crowd of signs and drawings that appear as a floral presence multiplied by infinity, between pattern and decor, are beautifully displayed in bright colors of industrial paints and Nissan green. www.fiorentinagiannotta.com
Artist featured by Saatchi Art in a collection
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