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Tangled Up in Blue 220120 Print

John Alexander Abbott

Greece

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12 x 9 in ($40)

12 x 9 in ($40)

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About The Artwork

Part of the "Tangled Up in Blue" series, this work displays an interesting feature: the paper surface is torn. It is like a chasm is crossing the paper that is also dividing the consciousness' impression of flowing stimuli. This collage (the two torn pieces are stuck on another paper surface) adds to the "faktura" of the work, as the edges of the torn paper pieces cast slim shadows on the background. Now, and as the neutral tan paper is torn what is revealed is a similar tan-coloured surface. Whatever happens to the consciousness and its stimuli, the background will always be neutral, it will always be "nothing". Hints that under this layer of consciousness another such layer exists where new or past stimuli continue to flow.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:12 W x 9 H x 0.1 D in

Size with Frame:17.25 W x 14.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a self-taught artist, based in Thessaloniki and active for the last +50 years. Having started with figurative art, I have been through various styles over the years, Impressionism, Surrealism, Byzantine Iconography, Suprematism, Constructivism. Following a steady course towards abstraction. Lately, and after a geometric period, I am experimenting in an even more abstract style that involves liquid acrylic pigment poured over a surface - preferably package paper- and free intermixing of the colours with flow lines formation, often exceeding the painting surface bounds. Mainly inspired by Phenomenology and the ideas of how consciousness functions, my current work can be characterized free and abstract with no use of brushes or other painting tools. The flow of the liquid colours denote the continuous flow of the outer stimuli of the human consciousness, represents the creation of the cerebral time and tries to access pre-consciousness human stages. The images substitute the language and help experience a mystical way to approaching answers to questions dilemmatic, tricky, or bearing no answers at all! My influences include Kazimir Malevich and Lyubov Popova, Byzantine icons, Giorgio Morandi, Kuzma Petrov-Vodkin, the brothers Limbourg, the architects Georgii Krutikov, Mies van der Rohe, Aldo Rossi, Lazar Khidekel, Iakov Chernikov and also, the Japanese culture and its insights like Wabi-Sabi or Suiseki and ceremonial practices like Chanoyu. Finally a big influence is Jazz music, and the atonal music of Iannis Xenakis.

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