VIEW IN MY ROOM
TANGUAR HAOR Print
Bangladesh
Select a Material
Canvas
Select a Size
16 x 12 in ($190)
Select a Canvas Wrap
White Canvas
Add a Frame
White ($135)
About The Artwork
Tanguar haor , located in the Dharmapasha and Tahirpur upazilas of Sunamganj District in Bangladesh, is a unique wetland ecosystem of national importance and has come into international focus. The area of Tanguar haor including 46 villages within the haor is about 100 square kilometres (39 sq mi) of which 2,802.36 ha2 is wetland. It is the source of livelihood for more than 40,000 people. The Government of Bangladesh declared Tanguar haor as an Ecologically Critical Area in 1999 considering its critical condition as a result of overexploitation of its natural resources. In 2000, the hoar basin was declared a Ramsar site - wetland of international importance. With this declaration, the Government is committed to preserve its natural resources and has taken several steps for protection of this wetland. Tanguar haor plays an important role in fish production as it functions as a 'mother fishery' for the country.
Details & Dimensions
Print:Giclee on Canvas
Size:16 W x 12 H x 1.25 D in
Size with Frame:17.75 W x 13.75 H x 1.25 D in
Frame:White
Canvas Wrap:White Canvas
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Bangladesh
i am an artist, I wanted to dig out my inner feelings, very personal and free feelings, at the same time the very traditional feelings of Bengali people in my paintings, where the tradition, feelings, religious behavior, thoughts, dreams, and moreover the entire Bengali character is present. The people of this region are in a cycle of simplicity as water, as well as complex, also. They are unpredictable, but thoughtful. All time they want entrance in an open nest. They feel their unknown desire in their dreams, but cannot afford all the feelings. Sometimes, desires express their unuttered words like a poet, and the poet feels his existence in the flowers of moss, and religion supplies the hue to the moss flower. The free Bengali forgets his origin. The poet enters into his open nest, his bird rounds his nest, wants to hear the undiscovered story of the isolated life of a woman, and becomes a mystery being, a toy. My work of art is an attempt, to uphold the historic sensitivity, of the modern Bengali.
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