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The Beauty of Genetic Engineering Print

Andrew Jetter

United States

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About The Artwork

Subject #422: This creature is a single example of the countless organisms created within the inhabitant’s genetic engineering labs. Through gene splicing, they are able to create vibrant creatures with a conscience that thrive in a way best adapted to the system. Bursting with life this latest creation will flutter into the world to join the other beings molded and perfected within the inhabitant’s test tubes. This flying insect will be a great addition to this world’s lifeforms with its bright colors it will lend beauty to the planet, along with its practical function of stabilizing the lowland ecosystems. It’s genetic code and cellular structure has been meticulously de-constructed and pieced back together in order to create the most elegantly functional result; a game of cat’s cradle that the inhabitants apply very well. Just one of the many accomplishments made possible in the genetic labs which have produced an abundance of life forms that now roam free. This is the beauty of genetic engineering: mutating organisms and building entirely new creatures that work best in their environment with efficiency unprecedented in nature.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 8 H x 0.1 D in

Size with Frame:15.25 W x 13.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’ve always had a scientific-oriented mind. Painting, ⟨and creating, more generally⟩ provides both an outlet for me to express my scientific side and a method of experimentation. I construct vast landscapes to delve into that feature grand themes including ∋ ⟨fundamental dualities | knowledge horizons | natural and artificial juxtapositions ⟨as well their superpositions⟩ | and the illusion of dimensional scale |. A compulsion to explore leads me to new ⟨places⟩⟨i⟩ to observe | condense information | make intuitive | and conceptualize new horizons⟩. Being from Albuquerque, I naturally draw inspiration from our mind-blowing skies that contrast so vividly with the raw, Earth tones of our environment – all of which is part of the Σ⟨the decaying infrastructure of thin stucco⟩ + ⟨the ever-present dust⟩ ⋅ ⟨our diverse culture that shapes it⟩. From this source material I create worlds flirting with the edge of reality. Believable places, but with an unsettling undertone of impossibility that invites the viewer to analyze . . . | indefinitely |²

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