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The perfect selection Print

Èv Eva Hettmer

Germany

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20 x 16 in ($120)

20 x 16 in ($120)

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$280
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About The Artwork

The perfect selection refers to a selection of nature where the rules are based on instincts and dominatrix skills. Where however the instinct is to survey, an intelligence gives a space for a soul and beauty, what differ us from animals. It is not a sensuality that differs us from animals, it is a skill of intelligence to make different choice and a will to make things happen. This painting questions priorities and quality of life. It search for a pathway that leads to an understanding on how to balance animosities and humanity. The scene is positioned into a peaceful rural landscape. The idealistic background image of a peasants life and a portrait of naively looking girl with butterflies in the foreground are disturbed by the dominant scene in the centre of the painting. This scene refers on a need for supplies and on the other hand, an absence of a sense, separation and childishness. As I was painting this picture, I was questioning my own integrity of how to deal with a personal struggle and grown up "professional" art relationships. It is a art politics and agencies of institutions in the local art scene that pushed me limits to explores ones personal space and limits. Thematical inspiration of this work comes from my experience from first years of my career, with a start as being an young art student and when I started to get involved with concurrence, sell, competition and relationships with people from art market. This artwork explores a field where relationships are based on co-dependency and one needs to define his/hers position and how to operate it.

Details & Dimensions

Print:Giclee on Canvas

Size:20 W x 16 H x 1.25 D in

Size with Frame:21.75 W x 17.75 H x 1.25 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

DE/AT/SK ~ Hamburg, Vienna, Bratislava ~ born in Czechoslovakia ~ my work is an epical production, that questions quantity, quality, risk and free time. ~ making ephemeral situations my passion, i do use unstable fragile vanishing materials (when we do not count my painting). i like asking and engaging fragility and ability of persistence. however i strongly engage an inherent aesthetically form, my language is conceptual. along playing with visual seductiveness, i push the work with the perception of manifold layers of meaning. ~ my topics are build up on reflecting framed reality of my environment and contemporaneity of daily events. works are a social character in order to punctuate on priorities and gaining more free time. applying participative and performative qualities, i collect emotional energy upon with is a subject being manifested. outcome of this manipulation feels sometimes raw, it interacts with a viewer's physicality. everyday objects are altered or detached from their natural functions to question 'to must' vs. 'to need'. this associates a wish to learn from mistakes. i do not try to express proprognoses of happiness, or to criticise today for getting a better tomorrow. i perceive myself as a feminist, my work is empowering. i like to apply contradictions, that comes with a feminism. women being not simple opens a certain poetical vein, through which i personally find my female identity and some works are being self-portraits. ~ my work is about enjoyment now. my work is gay. is fun. is full. is about last night. is also pink. is. my work is participative, permormative and ephemeral. everything like that what enjoys me.

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