VIEW IN MY ROOM
Transience / stereoscopic 3D Print
United Kingdom
Select a Material
Fine Art Paper
Select a Size
10 x 8 in ($54)
Add a Frame
White ($80)
About The Artwork
This work is my entry to the recent 'Flesh' exhibition at Espacio gallery/London. The work depicts earthly transience in a painterly way. I was inspired by 'After the bath' by Degas at a recent visit to the National Gallery. The flesh is rendered in a painterly way, reverberating in the entire picture. The opposite of flesh is 'Nothingness',the void, from where it originates and into which it will vanish. The image depicts the the sublime tension between 'Flesh' and 'Nothingness'. Please view image with 3D-glasses. Two pairs of high quality 3D glasses (red/cyan) will be delivered with the art work. The very act of viewing my artwork with 3D glasses transforms the canvas into a visual membrane. The display surface becomes a physical object, where the canvas acts like a membrane between the viewer and the 3D world. The dimension of binocular depth is revealed, which is a dimension of depth beyond the sense of perspective depth. The true texture of visual space emerges from the canvas.
Original Created:2015
Subjects:Body
Materials:Canvas
Styles:SurrealismFigurative
Mediums:digital printoil
Details & Dimensions
Print:Giclee on Fine Art Paper
Size:10 W x 8 H x 0.1 D in
Size with Frame:15.25 W x 13.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
The emotive power of space and depth are the driving forces in my art practice. I develop an aesthetics of space through an interplay of divergent art techniques which render space tangible on the canvas. In the studio I employ a creative mixture of 'high and low' technology solutions to express the texture of space in my art work. I utilize purpose built stereoscopic cameras to capture the space created by a collage of objects, a still life, the texture of fabric or imprints left by natural processes on the canvas. I like to employ highly innovative imaging processes ( e.g. anamorphic stereoscopy) in combination with traditional art techniques like collage and painting. In my artwork I explore the texture of visual space. I like to use stereoscopic 3D techniques to explore the rich texture of these spaces. When viewed with 3D glasses my artwork reveals the material, tactile quality of visual space. The viewer experiences shapes, forms and colors emerging in front and behind the display, transforming the canvas into a visual membrane. As the viewer interacts with the art work the boundary between visual space and real space dissolves.
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