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Umbrellas in action Print

Waldemar Fydrych

Poland

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About The Artwork

„Umbrellas in action” shows the encounter of two opposite worlds: the sensual, transient and erotically unisexual meets the classical fundamentality. The transient world full of erotism represents the concept relativity and the fundamental one stands for pursuing immutable values. The umbrellas are the link between the two. According to sages of the East the fullness is achieved only through comprehension of both: the relative and the absolute. This painting was inspired by the ongoing conflict between the values of the new left and social conservatists in Poland, which mirrors similar conflicts in other countries. The ducks represent two conservative Polish politicians and twin brothers: Lech and Jarek Kaczyński. In Polish, the root of their last name comes from the world "kaczka" which means "a duck"

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 8 H x 0.1 D in

Size with Frame:15.25 W x 13.25 H x 1.2 D in

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Waldemar “Major” Fydrych, a legendary Polish artist, is the author of “Manifesto of Socialist Surrealism” and the founder of the Orange Alternative, one of the history's most important artistic anti-totalitarian movements, strongly influenced by surrealism and dadaism. Brad Finger's book “Surrealism: 50 works you should know” published in 2013 by Prestel Publishing placed Waldemar Fydrych's graffiti artwork in line with surrealist works of Picasso, Dali, Duchamp and Artaud. Fydrych was born on April 8th 1953 in Toruń, Poland. He began his independent political and artistic activity in the 1970s. During Martial Law over one thousand graffiti of smiling „dwarfs” were painted by him on paint spots covering anti-regime slogans written by the anti-communist opposition on building walls, an action which he himself had called “Dialectic Art of Grand Social Forms.” He has been creating his idiosyncratic „dwarf” drawing and paintings ever since that time. “Waldemar „Major” Fydrych possesses uncompromising courage, and this is what allows him to engage in what he considers as right at a given point of his life. His work is inherently free of any fear and any preemptive obligation that binds the majority of other artists. Anyone who knows Major better, understands that in his case there is no room for constraints, as he is a free man, and for many indeed an epitome of freedom, also attentive to the freedom of others.” Professor Zdzisława Ludwiniak, Academy of Fine Arts, Warsaw

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