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Original Abstract Botanic Photography by David Fonda
Original Abstract Botanic Photography by David Fonda
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Original Abstract Botanic Photography by David Fonda
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Original Abstract Botanic Photography by David Fonda
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Original Abstract Botanic Photography by David Fonda
Original Abstract Botanic Photography by David Fonda
Original Abstract Botanic Photography by David Fonda
Original Abstract Botanic Photography by David Fonda
Original Abstract Botanic Photography by David Fonda

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"Beach Bouquet" Fine Art Print

→ David Fonda, United States

$182

Material

  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas

Size

14 x 21 in ($182)
Select a Canvas Wrap
White Canvas

Frame

No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

Artist Recognition

ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Washed ashore on a California beach, seaweed strands form an abstract floral bouquet. A signed and numbered print from a limited edition of 10. Printed with a 2” (5 cm) white border to accommodate framing/mounting and the signature - the actual size of the printed image is 24” x 36” (61 x 91.5 cm)...

Year Created:

2014

Subject:

Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

14 W x 21 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Contact us.

Need more information?

Contact us.
David Fonda

About the Artist

David Fonda

United States

Composition. It’s an inherent and integral aspect of the two-dimensional arts. In most art forms, composition is a creation of the artist. In photography, limited to using the visible world as it’s palette, that composition must be discovered. The joy of that discovery, of finding beauty in juxtaposition within the frame, is what drives me as an artist. The realization that beauty can be found anywhere, given the right frame and composition, is a constant source of wonder. Beauty is there, waiting to be discovered.

I’ve spent my career developing and refining my eye for composition. I earned a Bachelors of Fine Art in Photography from Ohio University in the US. I worked for five years as a photo-journalist shooting every day, followed by stints at commercial, corporate, industrial, architectural, editorial, documentary and portrait photography. In all of the genres I worked in, I always strove for clean, controlled composition and lighting. In creating hundreds-of-thousands of images in nearly every kind of environment, I learned that good composition makes or breaks an image, and that the elements of good composition can be found anywhere.

My images revel in composition. Light and line, shape and shadow, tone and texture, and color or the lack of it, all aligned within the frame to form a controlled organization of elements. Regardless of the subject, the visual balance and harmony of elements provide an alluring form on which to rest the eye.

Precisionism

When I first saw the work of Charles Sheeler, I was immediately drawn to it. His work in the years between the world wars celebrated the ascendance of the machine age, depicting and idealizing the industrial landscape. He and a small, informal group of painters and photographers sought to represent, emulate, and celebrate the exactitude required of the machine age.

Deemed Precisionists, they made no attempt at social commentary and generally included no people or signs of human presence. Rather they reveled in the utilitarian design of the machine age, reducing their subject to graphic elements and finding beauty in composition. Subjects were portrayed with a sense of simple perfection, clean in line, plane and light, showing no sign of wear or aging. They sought to portray the objective beauty of the modern world.

Neo-Precisionism

Now, as an artist working in the digital age, the time is ripe for a new Precisionism, for Neo-Presicionism.

Recognition:

  • Artist featured in a collection

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