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Italy
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12 x 8 in ($100)
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White ($80)
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Fishermen work with "u conzu" and prepare it for the next fishing trip. "U conzu" is a very long fishing line linked to hundreds of hooks that is put into the sea in the evening and retired in the morning. Every time it is necessary to dissolve the knots that are formed during fishing and it is a job that the fishermen do on the street, in front of their houses. Set of five photographs printed on photographic paper Hahnemühle Fine Art Pearl 285 gr. with certificate and hologram of authenticity and signed by the author.
Print:Giclee on Photo Paper
Size:12 W x 8 H x 0.1 D in
Size with Frame:17.25 W x 13.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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From my website: Yurei is the name chosen to sign my works of Figurative Art. I don’t perceive it as a coincidence, even if everything in my life first appeared in a game shape . “Just for fun” was also my approach to painting: a long period of convalescence, longing for “something in common” with the one beside me, the curiosity to try my hand at a language that had always fascinated but at the same time scared me; the inability to tell using the brushes, and the colors – I have always been in love with black and white -, and the strokes on the paper, the things that pressed inside me and needed to come out. Even more at that time, because they were days in which I was strongly experiencing the after-effects of a hospitalization that showed its unespected disabling profile. On my birthday I gifted myself a small set of watercolors, the cheapest of the brushes, a pad of paper. Nothing more to find again that “inner child” who took me by the arm along my exepriences with Theater, Writing, Photography, and which I was slowly returning to caress. I began to recover. Watercolours, brushes, paper; they all became crutches. The days were no longer “infinite”. I started walking again. No destination. But I was walking. And as life sensed the rustle of footsteps, the slow pace of walking, the adagio on the ground, revealed unknown obstacles and let them appear before my tracing a path. They lead me. I started looking through a new gaze and I touched the essentiality within which I put back together pieces of my days , thrown away randomly by that something “unexpected” that forced me like laces on the wrists, arms, feet, in a huge sea without shore: my dearest ones, my being what I love, my art. “art” that slowly moved towards its noblest, most ancient meaning again: the art of the farrier, the carpenter, the accountant, the comedian, the painter. Craft. I had no “shop” where to train. The stage only. And my Masters. Without ever telling me anything. But in their silence and in my gaze, they conveyed a being Theater that I found every day among uncertain brushstrokes and invented colors, curiosity, a never-sated “depth”, a desire to make mistakes always in a different way. The need to say, beside. The “inner child”. A man who tells stories by profession and has a neverending curiosity as a tool. Thus, Yurei was born. And I keep travelling, cuz each new day, is not over yet.
Artist featured by Saatchi Art in a collection
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