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VIEW IN MY ROOM

Love in a red rose Print - Limited Edition of 250

Tracey Falcon

United Kingdom

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About The Artwork

Since becoming a wheelchair user my per perspectives on the world have changed considerably. I find I look more closely at whats in front of me, whats in reach. A vase of flowers, photographed can be put through a kaleidoscopic digital process to produce a range of beautiful digital prints. Nature is very important to me and I try all I can to remain in contact with nature although there are accessibility issues. Its easy to take things for granted and sometimes worlds can be upended. I hope the freshness of these images will encourage people to look deeper and longer at whats around them and appreciate what is in their grasp now, rather than wait until tomorrow. This is an open edition digital print on paper.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am an Artist and Arts Educator. I have worked for arts and heritage organisations in Kent and as a sessional lecturer at University of Kent and also Canterbury Christ Church University. In October 2018 I became disabled and with that huge change came a big change in the direction of my artwork. I was no longer able to physically manage the newspaper artworks I had been making for almost 20 years. Eventually, after a period of having lost confidence in myself as an artist, I began working again making digital collages and oil paintings. I had developed a language, a concept and a direction through the newspaper work. One I assumed I would continue to develop, careful only to question and invite thought rather than offering opinions. I have now, metaphorically, stepped into a more personal artistic landscape - something I had shied away from in the past as I am an intensely private person - but I find myself now making work that explores what I am currently experiencing. The new perspectives that come with seeing the world from a different level of access. I am excited by colour, by suggestion, by intrigue. Nothing is particularly obvious in the digital collages, you need to look closely and ask questions of the work. What is obvious, though, is the strong connection to the natural environment, to nature and, in particular, to trees. I am also enjoying the technical aspect of painting in oils. Something I can sit and create, something I can manage.

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