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Night of the Blood Moon Print

Alan Wellikoff

United States

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9 x 12 in ($55)

9 x 12 in ($55)

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About The Artwork

This was supposed to be a picture of last June's blood moon. Although the rust-colored luna was centered in the IPhone's view finder, a series of sweeping and darting lights have mystifyingly taken its place. These lights were unseen at the time that this and other photos were taken of what my wife, our friends and I figured would be an altogether different celestial display. Adding to their mystery, they only became visible when we viewed the images days later. The pictures were shot in a large, open area -- a building site we called "the moonscape" for it's rough and barren ground (this name has taken on new irony). This photo was the best of the lot, and it shows strange lights in flight -- their near-and-distant trails (look closely) invisible to human eyes. What the camera captured, however, was a luminous nighttime ballet mysteriously performed on high.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:9 W x 12 H x 0.1 D in

Size with Frame:14.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

A fellow who inadvertantly sprang his girlfriend from solitary in a Maine county jail; ran solo into a burning New York barn only to discover the livestock had found their own way out; raced cars ingloriously at Moroso and Lime Rock; awoke in a remote Burmese pagoda just as dawn struck the face of a road-movie Buddha who'd also been sitting there in the dark; owned the '27 Buick Phaeton in which Sir Lawrence traversed Arabian sands, and stole through the night to stand alone on Little Round Top, in Emerson's garden, aboard the USS Constellation and -- most unforgettably -- in the theater box in which Lincoln was shot. As an fledgling artist, Wellikoff was once awarded for excellence by a juried panel at the Maryland State Fair and twice given silver status by Redditt. His first painting was a portrait of his father-in-law, a WWII Navy pilot, standing before his carrier-borne Avenger bomber. Today, Wellikoff tends to paint whatever draws his fancy for its aesthetic, cultural and historic significance and sense of whimsy or irony. Wellikoff's work has been sold through horse-country galleries in Maryland and Virginia.

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