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Yellow TV: Orientation - Limited Edition 1 of 20 Print
Germany
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Photo Paper
Select a Size
12 x 8 in ($57)
Add a Frame
White ($80)
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Artist featured in a collection
About The Artwork
"Yellow TV" is the new project of photographer J. F. Novotny. It's main actors are yellow television sets, placed at unexpected places but showing familiar reactions to their surroundings. Turning the tables: "Yellow TV" is an experimental, conceptual and cultural study of human expression depicted and represented by our most commonly used eye to the world: the modern TV. Only LIMITED EDITION: Numbered as well as signed (back and front) edition of only 20 limited (plus 2 artist copies), with certificate of authenticity. Fine Art Print on high quality baryt paper, long-lasting pigmented HDR ink. For further questions please contact the artist; Thank you.
Details & Dimensions
Print:Giclee on Photo Paper
Size:12 W x 8 H x 0.1 D in
Size with Frame:17.25 W x 13.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Germany
Photographer and visual artist since more than 30 years; graduated in 1990 in Germany. Longer visits abroad in the US. Various exhibitions in Germany, the UK, US and Jordan; featured in numerous galleries and diverse print media. Art director and CEO in his own design & branding company "vivia". With my series "DrowningSky" photographer I try to work on old and recurring dreams of flooded landscapes and tsunami like scenarios where no escape seems possible, visualizing the apocalyptic moment when my very own dream world is collapsing. My series “Evanescence” wants to visualize the moment of fading away, of vanishing while being all alone and left behind… realizing that the only chance to survive is to change, to metamorphose. "Symbionts" was created as an ironic-surreal combination of the preoccupation with portraits of human models and the sometimes very human faces of historical cameras.
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