Richard Rendl

Born in Vienna in 1946In the process of my artistic efforts, it has been my life's calling to chisel out, to develop a holistic concept of human beings and nature the basic rhythm of humanity - to recoup the elusive abstractions of "objective" science for the sensual experiences of our "vivid" human realm - not the isolated individual of our western world has been my aim, but the quasi - ornamental figure woven into one whole, giving "the appearance of having been saved".For my homepage see below. There my work can be seen in high quality, high resolution - zoomfunction!"The unified texture of world religions andthe names of God."" Rendls work shows the structural reality of the world, in whose movement form emerges but ephemerally, not unlike the foam of breaking billows. And yet, this foaming form is a necessary aspect of all transience."Burghart Schmidt" Contemplating the pictured walls so thoroughly mirroring Rendls cosmos, the viewer may well learn what a patient eye and a caressing hand may create, namely re-spell (reenact) the unity of numbers, symbols, letters, lines, and mandorlas all these belong to the greatest wisdom that our present, so estranged from images, can draw from the bright darkness of a distant past."Prof....

University of applied art, Vienna. Born in Vienna in 1946, my first nineteen years were more or less one continuous change of schools and homes. After completing the Hotel Management School I was working abroad and aboard ship.At 19 the world of art revealed itself to me, gripping me with an intensity that hasn't left me since.In Vienna I graduated from the University of Applied Arts, complete with a diploma in Painting; I have been working in my own studio since 1968.In the process of my artistic efforts, it has been my life's calling to chisel out, to develop a holistic concept of human beings and nature the basic rhythm of humanity - to recoup the elusive abstractions of "objective" science for the sensual experiences of our "vivid" human realm - not the isolated individual of our western world has been my aim, but the quasi - ornamental figure woven into one whole, giving "the appearance of having been saved".In 1968 I began with human "idols" and "monads," at first in a dual system of white spiritual/divine idols and colored human idols (Monads: 15 pictures up to 7 x 9 feet) which later on merged into a uniform rhythm and, toward the end of the 70s, led me to a transpersonal breakthrough, the rise of "kundal energy", and a co...

all of the pictures shown here are for sale as original!