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Mexican handmade mate paper performs differently under paint and ink. The quality of the paper is enjoyed during the process. Keeping the paper visible is important. The edges undulate. Line and fields of colour sketch themselves across the surface of this pre-hispanic paper.

Public spaces in Mexico. Peaceful sometimes, shady mostly, entertaining always. Places to be.

When framing, ask for the box style with the paper floating in space.
Framing suggestion: Box frame, with paper floating to show handmade amate paper edges.
Mexican handmade mate paper performs differently under paint and ink. The quality of the paper is enjoyed during the process. Keeping the paper visible is important. The edges undulate. Line and fields of colour sketch themselves across the surface of this pre-hispanic paper.

Public spaces in Mexico. Peaceful sometimes, shady mostly, entertaining always. Places to be.

When framing, ask for the box style with the paper floating in space.

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Alameda 3 Drawing

Alex Mackenzie

Spain

Drawing, Conte on Paper

Size: 15.7 W x 23.6 H x 0.1 D in

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$620

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ABOUT THE ARTWORK

Mexican handmade mate paper performs differently under paint and ink. The quality of the paper is enjoyed during the process. Keeping the paper visible is important. The edges undulate. Line and fields of colour sketch themselves across the surface of this pre-hispanic paper. Public spaces in Mexico. Peaceful sometimes, shady mostly, entertaining always. Places to be. When framing, ask for the box style with the paper floating in space.

DETAILS AND DIMENSIONS
Drawing:

Conte on Paper

Original:

One-of-a-kind Artwork

Size:

15.7 W x 23.6 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born 1963 Chesterfield UK. Living in Spain, previously in Mexico, Myanmar, Italy, Spain, Sri Lanka, Malaysia, Hong Kong, Venezuela and UK. Exhibiting and teaching Art since 1988. I use local materials out of necessity as much as out of interest. Trying to create an interesting textural surface that oscillates between the seen and the unseen. Pushing forward, pulling back, revealing and concealing various facets and mixed histories. I trained in Visual Arts at Lancaster University and Goldsmiths College, London, and have taught Art in schools around the world since 1988.

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Artist featured in a collection

Artist featured by Saatchi Art in a collection

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