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"Deconstruction #03" 
Charcoal drawing on paper 
70x100 cm 
2020

Humankind, hurled between today's changing lifestyles, disasters, wars and epidemics, is now on the brink of a new evolution. This evolution involves a process in which human values are broken down. This series is a reflection of deconstructed human and human effort to deconstruct everything today.


Paper / 120gr Fine art paper
Charcoal / Faber-Castell Pitt Natural Charcoal 9-15mm
Fixative / PonArt Fchc free with UV protection
"Deconstruction #03" 
Charcoal drawing on paper 
70x100 cm 
2020

Humankind, hurled between today's changing lifestyles, disasters, wars and epidemics, is now on the brink of a new evolution. This evolution involves a process in which human values are broken down. This series is a reflection of deconstructed human and human effort to deconstruct everything today.


Paper / 120gr Fine art paper
Charcoal / Faber-Castell Pitt Natural Charcoal 9-15mm
Fixative / PonArt Fchc free with UV protection

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Deconstruction #03 Drawing

Onur Karaalioglu

Turkey

Drawing, Charcoal on Paper

Size: 27.6 W x 39.4 H x 0.1 D in

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ABOUT THE ARTWORK

"Deconstruction #03" Charcoal drawing on paper 70x100 cm 2020 Humankind, hurled between today's changing lifestyles, disasters, wars and epidemics, is now on the brink of a new evolution. This evolution involves a process in which human values are broken down. This series is a reflection of deconstructed human and human effort to deconstruct everything today. Paper / 120gr Fine art paper Charcoal / Faber-Castell Pitt Natural Charcoal 9-15mm Fixative / PonArt Fchc free with UV protection

DETAILS AND DIMENSIONS
Drawing:

Charcoal on Paper

Original:

One-of-a-kind Artwork

Size:

27.6 W x 39.4 H x 0.1 D in

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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

ONUR KARAALIOGLU (1985, TURKEY) Sakarya University Art Design and Architecture Faculty Painting Department Faculty Member--------------------- ARTİST'S STATEMENT The state of chaos and complex formations that the universe is in are the sole impulses that trigger the act of making art. This chaotic structure which shapes my outlook on the world, keeps ordinary life above my perception limit. While the dynamism in the chaos becomes consistent throughout the creative process, sometimes it is also dragged into the quest of truth. It descends down to the finest detail that is visible and enables me to mediate its transformation into some space that is external to its own reality. I evaluate the concept of chaos usually with the figures through which the psychological stress of man can be expressed. Because the complexity of human figure gives reference to the starting point of chaos, and it also raises the question of the origin of the confusion. And my style of painting, which progresses with a consistent perspective with regard to the used language, contains experiments that avoids from recurrence of the plastic elements. This attitude, compels me to determine the appropriate medium and the compositions for the subject that is defined by my own cognitive limitations.

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