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The Highest Mountain Diptych 2 (22 x 44”) Photograph

Christine So

United States

Photography, Cyanotype on Paper

Size: 44 W x 22 H x 0.1 D in

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$660

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307 Views

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Artist Recognition
link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

NOTE: it is impossible to buy this pair of prints and also “The Highest Mountain 3” or “The Highest Mountain 4.” That is because those two prints make up this diptych. these are two unframed one of a kind 22 x 22 inch works. If you would like to buy both original prints, please purchase the pair here. That way both can be wrapped together, the buyer saves money, it saves the artist hours of packaging, and it reduces the carbon footprint of the delivery. Though these monotypes resemble watercolor paintings or an aquatint etchings, they are actually a form of photography called a cyanotype, photogram or sun print. What you see is a multiple-exposure lensless photograph.

Each is entirely unique. These exact lines, shapes and shades of blue cannot be recreated as the exposure of the paper was heavily manipulated by me during each printing.

A traditional single-exposure cyanotype yields a white silhouette against a dark blue background. But instead of creating a white image by blocking light with solid objects on the light-sensitive paper, I used water to block the light, creating subtle gradations of darkening blue as I submerged the light-sensitive paper for different carefully timed exposures under water.

DETAILS AND DIMENSIONS
Multi-paneled Photography:

Cyanotype on Paper

Original:

One-of-a-kind Artwork

Size:

44 W x 22 H x 0.1 D in

Number of Panels:

2

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Clients include: Timothée Chalamet, Starbucks, Ritz Carlton, Mayo Clinic, Jumaira Resort (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco, Evercore NY, Mazars Accounting NY, Limelight Mammoth Hotel & Residences, MD Anderson Hospital, Houston Methodist Hospital, Oakland International Airport. Christine So is a painter, photographer and printmaker living across the San Francisco Bay in the hills of Oakland, California. Her works are heavily inspired by the woods where she has lived and hiked for decades. She works in acrylic and in the antique photographic process of cyanotypes. She creates botanical and abstract prints without a camera lens, as well as hand-printed landscape photographs of the foggy woods where she lives. Whether it’s painting, printmaking, or photography, her work is always nature-inspired and nearly always monochromatic. She has worked in a dozen mediums, cycling back and forth from painting to printmaking to cyanotype, applying effects from one medium to the next. She bridges the mediums of photography, monoprinting and painting. Her favorite question when working in the antique photographic process of cyanotypes is “What would happen if…?” She has devised a range of atypical techniques using the cyanotype process. Arguably the most striking of her unique methods are her cyanotype paintings in her Delft Garden series. The painted silhouettes of plants each contain an intricate blue and white pattern within them when viewed up close.The lengthy process begins as a pencil drawing which is then painted in–not with ink or paint–but with the cyanotype light-sensitive mixture in a dark room. It’s a tricky process as it’s hard to see what one is painting in very dim light. Days later once the photography chemicals have dried in the painting, she lays plants on top of the painted silhouette in a pattern that will leave gaps similar to lace. She then carefully moves the entire bundle outside and exposes the pattern to sunlight to create the image-within-the-image. The blue and white pattern seen in each leaf resembles painted Delft pottery, thus the title of this series: Delft Garden. Another of the artist’s innovative techniques is her series of completely abstract cyanotypes printed without photo negatives or stencils. She immerses paper painted with light-sensitive chemicals in water outdoors using the line of the water’s surface to block light, letting sunlight etch lines where one shade of blue ends and the next begins.

Artist Recognition
Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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