Good old fashioned contemporary art.

This collection breaks the figure down into compartmentalised units of colour, stripped of all extraneous detail, rendered in pure codified information. It doesn't offer a representation of reality, rather, a universally recognisable idea of it. Perspective is delineated through overlapping layers and scale, while the graphic simplicity with which such an overwhelming concept is inferred allows the images to revel in illusion over representation. The kaleidoscopic distortion of colour and sophistication of design imbue the collection with functionality, organic forms and sharp angles smack of high design. This is achieved through deconstructing the original image into abstracted components in a kind of twenty-first century cubism that refe