Triptych

By the triptych composition of this work, as much pictorial as photographic, Nathalie De Zan interrogates the regenerative function of the artist. Her self-portrait takes on an iconographic meaning as soon as her “Trinity” is exposed. The avatar manifests the protean nature of the idea of unity. The three panels, arranged from left to right, offer a reading in the traditional sense of writing along with an ancient conception of the creation process.