CINEscapes

A fascination with movies led me to explore the image-constituting behaviour of film. Film in itself is linear, 24 frames per second, exposed in a continuous time flow, suggesting a realistic elapsing act. The series tries to deconstruct the sequence, turning it into a single image filled with movement, capturing time and breaking open the linearity of film.
Tristan D. Grey
11 Artworks curated by Tristan D. Grey
‘Wings of Desire II’, 2012. thumb

‘Wings of Desire II’, 2012.

Photography47.2 W x 26.2 H x 0.7 D in

$3,100

Prints from $100

‘Wings of Desire I’, 2012. thumb

‘Wings of Desire I’, 2012.

Photography47.2 W x 26.2 H x 0.7 D in

$3,100

Prints from $100

‘Sin City II’, 2012. thumb

‘Sin City II’, 2012.

Photography47.2 W x 25.3 H x 0.7 D in

$3,050

Prints from $100

‘Sin City I’, 2012. thumb

‘Sin City I’, 2012.

Photography47.2 W x 25.3 H x 0.7 D in

$3,050

Prints from $100

‘Vertigo’, 2012. thumb

‘Vertigo’, 2012.

Photography47.2 W x 26.1 H x 0.7 D in

$3,100

Prints from $100

‘Psycho’, 2012. thumb

‘Psycho’, 2012.

Photography47.2 W x 26.1 H x 0.7 D in

$3,100

Prints from $100

‘Natural Born Killers’, 2012. thumb

‘Natural Born Killers’, 2012.

Photography47.2 W x 26.5 H x 0.7 D in

$3,100

Prints from $100

‘A Clockwork Orange II’, 2012. thumb

‘A Clockwork Orange II’, 2012.

Photography47.2 W x 27.6 H x 0.7 D in

$3,220

Prints from $100

‘A Clockwork Orange I’, 2012. thumb

‘A Clockwork Orange I’, 2012.

Photography47.2 W x 27.6 H x 0.7 D in

$3,220

Prints from $100

‘2001 - A Space Odyssey II’, 2012. thumb

‘2001 - A Space Odyssey II’, 2012.

Photography47.2 W x 21.7 H x 0.7 D in

$2,690

Prints from $100

‘2001 - A Space Odyssey I’, 2012. thumb

‘2001 - A Space Odyssey I’, 2012.

Photography47.2 W x 21.7 H x 0.7 D in

$2,690

Prints from $100


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