Those images are all made in a single long exposure, with little to no editing in post-processing. Many of these images were shot on Ilford film between 1996 and 2015 (when I switched to a digital camera). For all film-made images, scans were made between 2015 and 2017 using a Hasselblad Flextight X5 film scanner, allowing me to finally provide the prints I only dreamed to make when I was making my own prints as a student in a darkroom. Little to no editing means mostly some contrast and tonality balance, but all the lighting effects in those images were made directly in front of the camera during the time of the single exposure. No image manipulation tricks here.