Space

Moreno has built cities crossed by three-dimensional geometrical forms, models that seem to exist in a parallel dimension and that seem to be part of a universe where geometry evolves incessantly, where the curve with all its malleability faces the straight lines of the modules that constitute the silent buildings. In this, beyond the formalist game, what engages the artist is a philosophical question. For Moreno Hoffmann, the confrontation between the curve and the straight is a statement about the limits of beliefs, about the impossibility of conceiving the universe in a rational way, the need to understand and learn through the body, the senses and intuition.