Touch Me

Each brushstroke expressed something which could, if seen by someone wanting to, be 'felt' by the viewer. Each stroke, and all the strokes, could touch the viewer with something of the feeling that went into them. I imagined the viewer who would want to be touched by the painting. So, I called the collection "Touch Me" - to call-out to the passerby and let them know that, if that's what they wanted, they might find it by looking at the paintings.