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"CLOROFILLA" Collage

Johna Gussoni, Italy

Collage, Found Objects on Acrylic

61 W x 30 H in

Framed, Ready to Hang

This artwork is not for sale.

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

"CLOROFILLA" is an artwork composed by 4.500 recylced cigarette butts. The goal is to bring the world's most widespread waste back into harmony with the environment. This work uses a pixel technique to reproduce the shades of color expressed by the natural process of chlorophyll photosynthesis.

Year Created:

2025

Subject:
Mediums:

Collage, Found Objects on Acrylic

Rarity:

One-of-a-kind Artwork

Size:

61 W x 30 H x 1.2 D in

Ready to Hang:

Yes

Frame:

Black

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Italian designer and visual artist. A graduate in Design from the Politecnico di Milano, he works in the furniture sector, developing projects both nationally and internationally. His artistic practice arises from the intersection of design, materials and sustainability, with a particular focus on the processes of transforming waste into aesthetic potential. In 2025, he launched ‘From Terea to Art’, a never-before-seen art project based on the recovery and reworking of used tobacco sticks, saved from becoming waste and reincorporated into modular and serial compositions. Through a process of collection, sanitisation, painting and assembly, Johna transforms a material associated with everyday consumption into abstract surfaces, fields of colour and images constructed through accumulation. His practice focuses on the relationship between material, perception and memory. Each element retains the trace of an individual gesture, but, once incorporated into the work, becomes part of a collective construction. The repetition of the module thus generates a continuous shift between detail and the whole, between object and vision, inviting the viewer to redefine their relationship with what is normally discarded or rendered invisible.

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