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Form 7: A romantic mystery will soon add interest to your life Collage

Smithsonian Rosterino

United Kingdom

Collage, Paper on Paper

Size: 8.3 W x 8.3 H x 0.1 D in

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About The Artwork

This small collage is from a series entitled “How to Cut Your Losses and Make a Prophet - Seeing the Future and Making Money off It.” - The sold out exhibition featured examples of my complex hand-cut geometric collages along side assemblages made from found and recycled materials, mixed media, light installations, sound installations, video and performance. The themes of the exhibition centred around predicting the future. The title of this work is taken from a Chinese cookie fortune.

Details & Dimensions

Collage:Paper on Paper

Original:One-of-a-kind Artwork

Size:8.3 W x 8.3 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I produce artwork under the name ‘Smithsonian Rosterino’ or ‘Rost’ for short; for me a pseudonym offers another layer to the complexity of my work; it also distinguishes me from the multitude of other artists called Andy Smith. My work covers a variety of disciplines including mixed media collage, painting, assemblage, sound installation and digital media. I have always been a collector and had a magpie attitude to the things that inspire me. Ultimately, at its most basic, the materials I accumulate shape and inform my artwork and working process. These ‘ingredients’ can vary from magazine and newspaper cuttings to sound recordings and objects from charity shops and flea markets. The essence of my work has continually been about bringing together all these elements to tell a story. The narrative is created in the body of work as much as it is the individual pieces. When compiled and collaged together all these components create intricate layered compositions and objects that deal with comparably complex subjects. For me it is important not to just re-present the images around me, I have to instil some meaningful discourse from my life experiences and the world I see. My visual sampling process is informed by music; sampling from the past, re-appropriating and creating something new. The narrative is not blatantly apparent; often hidden behind un-digestible layers of scribbled out pencil scrawl, whitewashed imagery, splats of spray-paint and contrasting, graphically sharp shapes.

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