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This is an original mixed-media artwork consisting of a photograph that has been scanned, manipulated, printed on transparent material and mounted to a cradled panel with paper collage, acrylic paint, epoxy resin, and matte varnish. I often include information printed or handwritten on the back of photos. This particular image was stamped with the number 31.

Many of the figures incorporated into the artwork are taken from my extensive collection of one-of-a-kind antique daguerreotypes and mid-century snapshots. Each photograph in the acquisition is chosen because of its ability to simultaneously mirror intimate and universal facets of the human experience. The ambiguous figures often have a familiarity and represent archetypical image of masculinity and the Everyman. For this reason they are dealt with as a kind of self-portrait. Appropriation of these ‘forgotten’ photographs is an essential part of my art making process. Repurposing the images with new content not only builds upon the original history of the photographs, but creates a transcendence of time and a revitalization of the past. I have often expressed that I may not necessarily be the photographer of these relics, but through my artistic interpretation I feel I am their curator.
This is an original mixed-media artwork consisting of a photograph that has been scanned, manipulated, printed on transparent material and mounted to a cradled panel with paper collage, acrylic paint, epoxy resin, and matte varnish. I often include information printed or handwritten on the back of photos. This particular image was stamped with the number 31.

Many of the figures incorporated into the artwork are taken from my extensive collection of one-of-a-kind antique daguerreotypes and mid-century snapshots. Each photograph in the acquisition is chosen because of its ability to simultaneously mirror intimate and universal facets of the human experience. The ambiguous figures often have a familiarity and represent archetypical image of masculinity and the Everyman. For this reason they are dealt with as a kind of self-portrait. Appropriation of these ‘forgotten’ photographs is an essential part of my art making process. Repurposing the images with new content not only builds upon the original history of the photographs, but creates a transcendence of time and a revitalization of the past. I have often expressed that I may not necessarily be the photographer of these relics, but through my artistic interpretation I feel I am their curator.

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View In My Room

Let Us Love This Distance - 36x36-homoerotic-sexy-shirtless-swimmer-ocean-beach-gay Collage

Adam Collier Noel

United States

Collage, Paint on Other

Size: 36 W x 36 H x 2 D in

Ships in a Box

SOLD
Originally listed for $3,350

1794 Views

10

Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

This is an original mixed-media artwork consisting of a photograph that has been scanned, manipulated, printed on transparent material and mounted to a cradled panel with paper collage, acrylic paint, epoxy resin, and matte varnish. I often include information printed or handwritten on the back of photos. This particular image was stamped with the number 31. Many of the figures incorporated into the artwork are taken from my extensive collection of one-of-a-kind antique daguerreotypes and mid-century snapshots. Each photograph in the acquisition is chosen because of its ability to simultaneously mirror intimate and universal facets of the human experience. The ambiguous figures often have a familiarity and represent archetypical image of masculinity and the Everyman. For this reason they are dealt with as a kind of self-portrait. Appropriation of these ‘forgotten’ photographs is an essential part of my art making process. Repurposing the images with new content not only builds upon the original history of the photographs, but creates a transcendence of time and a revitalization of the past. I have often expressed that I may not necessarily be the photographer of these relics, but through my artistic interpretation I feel I am their curator.

DETAILS AND DIMENSIONS
Collage:

Paint on Other

Original:

One-of-a-kind Artwork

Size:

36 W x 36 H x 2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

ARTIST STATEMENT ​ Throughout my career, I have been driven by a devotion to experimentation, combining diverse materials and processes. My artistic journey defies categorization, as I am constantly exploring a wide range of disciplines, subject matter and materials. This passion continues in my latest body of work, where I delve into large-scale abstract landscapes through mixed-media techniques. Drawing from my deep love of collage and a desire to communicate positive messages, my compositions are guided by an intuitive sense of balance, color theory and texture studies in a fluid, exploratory approach. My paintings are lively, abstract color-scapes created from found and reclaimed paper ephemera, such as blueprints, vintage maps, and letters, which evoke a sense of nostalgia rooted in my Midwestern upbringing. I build the paintings around grid-like structures, both symmetrical and asymmetrical, serving as a foundation for the various elements I weave into my work. The compositions take shape organically with each layer of paper and paint meticulously applied to conceal or reveal the layers beneath and often feature patterns, typography, and found objects, layered into intricate configurations that are both complex and harmonious, inviting viewers to explore the intricate tapestry of my artistic evolution and personal journey.

Artist Recognition
Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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