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Titled for the beach north of Sydney where first sketches were made.  Fine hieroglyphic like detail in textured surface.  Materials are: dry pigment, charcoal powder, shellac, and collage on Kozo vintage washi.  Handsomely matted and framed, in natural maple.
Titled for the beach north of Sydney where first sketches were made.  Fine hieroglyphic like detail in textured surface.  Materials are: dry pigment, charcoal powder, shellac, and collage on Kozo vintage washi.  Handsomely matted and framed, in natural maple.

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Macmasters Series no. 9 Collage

Peter Eastman

United States

Collage, Paper on Cardboard

Size: 16.4 W x 17.6 H x 1 D in

Ships in a Box

SOLD
Originally listed for $490

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Artist Recognition
link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

Titled for the beach north of Sydney where first sketches were made. Fine hieroglyphic like detail in textured surface. Materials are: dry pigment, charcoal powder, shellac, and collage on Kozo vintage washi. Handsomely matted and framed, in natural maple.

DETAILS AND DIMENSIONS
Collage:

Paper on Cardboard

Original:

One-of-a-kind Artwork

Size:

16.4 W x 17.6 H x 1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My work is a search for equilibrium and harmonic beauty, perhaps best found in natural shapes, patterns, colors, and textures. Each work is a record of a pursuit that I would compare to gold mining or pearl diving. Preparation is complex, deliberate, and essential. And the result is usually a surprise - a surprise that is sought after. The first event of every piece is the invention of a shape. With a myriad of inspirations including art history, architecture, literature, and music, that shape is arrived at by a combination of intuitive drawing and distillation. Step 2 is to cut out the shape, and then exploit it as vehicle for printing, as stencil, and/or as collage material. Then, using dry pigment and shellac, and often working with translucent Japanese paper, I manipulate both front and back of the paper to arrive at a finished image that I hope appears to emanate from within.

Artist Recognition
Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London, Brooklyn, Brooklyn, New York, Los Angeles, Chicago, Sydney, Brooklyn, Chicago

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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