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View In My Room
Collage, Found Objects on Paper
Size: 16.7 W x 23.4 H x 1.7 D in
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This piece is made from candy wrappers and material found around a school in Miami in the USA. I was in Miami for Art Miami and couldn’t find any poster material for new works. I visited a school where Shepard Fairey and Kevin Ledo were painting large murals when I noticed the side of the streets surrounding the school were littered with candy wrappers. There was so much. I was amazed at the amount of candy these kids had to be eating. Immidiately the title sugar rush popped in my head. Sugar rush according to wikipedia means; A purported state of hyperactivity caused by excessive consumption of sugar, or other simple carbohydrates. I collected the material and made it into two artworks, two urban camo ski masks. Instead of poster material I used the candy wrappers and fastfood packages. I sorted all the material and found two dominating colors, red and blue. As I planned on making two version a boy version and a girl version the color scheme fitted perfectly. I searched for eye pieces and mouth pieces to express what a kid in sugar rush would look like. I laserengraved the images and collaged everything together. I love working with found materials, The signs of time and decay give the material character. I also like the idea of reusing material and discarded materials in a world of abundance. Original mixed media collage Framed in a handmade white frame with a laser engraved Perishable Rush logo on the side of the frame 2017
2017
Found Objects on Paper
One-of-a-kind Artwork
16.7 W x 23.4 H x 1.7 D in
White
Not applicable
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Netherlands.
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Netherlands
Perishable Rush (Netherlands, 1975) is a street artist in the broadest sense of the word. He finds his inspiration and materials by having a good look around when he is outside, always on the lookout for a story that needs be told and how that should be done. He uses perishable materials to create abstracts for the docile masses. The artist always finds himself amazed about things such as banality, aggression, war, anonymity, commerce and the vulgarity of contemporary media. Perishable Rush attempted to visualise this amazement in his work to show the world its true face and, more importantly, to show what is lurking behind that. To do this he roams the streets of European cities on foot or by bike with a large shopping bag in hand that he fills up with the trash from human manifestations during his trips. His current preference is thick layers of weathered posters that he peels off layer by layer, in much the same manner as he does in his work relating to human behaviour and the spirit of the times they originated from. By doing so, he hopes to find new answers to his questions on human behaviour and a world in which apathy and acceptance are closely related. Perishable Rush believes in the beauty of a world in which backgrounds, faces and perspectives together constitute a harmonious whole. That conception is directly reflected in his work as well as in the materials and techniques he uses. Literally. The poster layers he peeled off and the resulting meticulously accrued and constructed portraits have evolved from ‘ski mask’ through ‘balaclava’ to ‘Batman’. His silkscreen prints serve as a basis for the portraits. His portrait collages consist of a minimalist interplay of lines of carefully torn and glued paper with laser-cut refined nuances. “What I do with the portraits is I peel off the excess, layer by layer, to get to the true essence. I leave out any unnecessary lines,” Perishable Rush says. Together they constitute the facial image of today’s multicultural society and the questions raised on this subject by the artist. With his expressive portraits, Perishable Rush aims to draw viewers into the image that inspired him so that they can join him in his quest for answers to questions, in the form of trash used as material composed of the same layers as human conduct. New images emerge by continuously sampling, mixing, editing and rearranging his material.
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