"The Allegory of Secret Scripture Power" Collage

"The Allegory of Secret Scripture Power" has required several stages of implementation. I originally drawn in ink pattern on paper in automatic drawing condition. Then, a company specializing in the transfer carried out on a large canvas. This is a process of photographing the original, to rub the "transfer" transparent where the pattern is printed on the canvas, to get the final creation .... In fact, this table wants the trace of an in-between world, the one common to the WEST and AFRICA. This short exegesis concern the WEST and refers to the right of the table, which is an automatic drawing made from drawings scattered copying statues or patterns on this archeological sights from an anthology on the representations of the ancient world and Egyptian. The resulting design is allegorical to the extent the elements of which it consists are assembled in such so that in the table, they seem to tell a story which one can learn from. If this teaching could have addressed, I would say, without hesitation, that would be primarily concerned beings who claim to one of the three monotheistic: Jews, Christians and Muslims; the other part of the picture, the "African" to open up additional exegesis. Because the painting "Allegory of Secret Scripture Power" would be a automatic drawing on ancient Egypt, whether through the representation of the figure of PHARAOH and SCRIBE, he asked: " who heads the world, today as yesterday, in those places where the war rages of Intellectuals against the absolute power? ". ET: "what is this support: Scripture, which have relied on to intellectuals to overcome? ". And finally: "for the modern space, HERO ABSOLUTE, which is the Messiah whose face is drawn hollow by the Scriptures, what relations he talks with Scripture COMPUTER? ". Analysis of this photo from SCRIBE: In Ancient Egypt, polytheism is the opportunity to devote full architectural spaces to the glorification of a deity; and the opportunity for those who manage the economy of the worship of the Gods 2000, approximately, to make them accessible to believers, through the sale of mass offerings embalming of animals, the eagle at the Ibis , the cat mummy, the pilgrim leaves an offering in the temple. While painted hieroglyphs may be thoughts in pictures. And visible particular scenes in the tombs of pharaohs, enlarged images and hieroglyphics that read on vertical as on columns, like so-called linear hieroglyphs. For this reason, the table reads vertically and horizontally from right to left in this part of the allegory. From right to left, are observable fish above water: a boat on which a duck hunter, holding in his hand gripped a handful of birds, in the midst of other birds soaring and insects, which extends on the left of the table. This scene known archaeologists hunting is the interpretation of a fresco. In the table, this hunting scene seems to come out of the head of a scribe-like "Seated Scribe Louvre." And indeed, besides its missing head, my scribe comes close enough the "scribe of the Louvre" of the Fifth Dynasty, a period when the painter as a sculptor are anonymous. The scribe, he was a master in charge to give him work, or so, is it Hiérogrammate: a scribe in the temple service. Is a kind of priest capable of interpreting the sacred texts. To the left of the scribe, and as if the scribe was hiding in his shadow, stands Thoth, the God of Scripture, here represented in the guise of a baboon: a monkey in highly elongated snout whose skull is surmounted the egg of knowledge. The image was inspired by a sculpture of the time of the nineteenth dynasty, is 1305 - 1196 before Jesus Christ; which is known embodied the God of Knowledge. The second monkey, painted her no tinsel, it is not possible for me to trace the historical origin because in fact I do not even know if I have borrowed from the Egyptian iconography. After returning to a state of normal consciousness, the finished drawing, he appeared to me as obvious that this monkey was to symbolize the course of the pharaoh, or company that revolves around the central power, courtship followers to the point of monkeys. Of course, one can also interpret this other monkey symbolizes the unconscious so stubborn, quick to go from one subject to another, ready to pounce of a metaphor to another ... I hold for myself that monkey is directly related to another character in this allegory: the Pharaoh himself. Analysis of this photo from the Pharaoh The other character of this allegory, Pharaoh, several clues betray modernity of a representation of Pharaoh who would have been impossible in ancient Egypt. Admittedly, I was inspired by the statue of King THOUTMOSIX III of the eighteenth dynasty, the period from 1554 to 1305 before Jesus Christ. But, represent the face with feet placed parallel to each other, as is the anatomy see the so-called Western perspective, also making his legs extend by columns, as if this figure the central authority was riveted to the ground, all these contemporary interpretations are all aesthetic possibilities that the time THOUTMOSIX III would never granted to any painter. An index present on the face of Pharaoh, we truly enables to depart from a purely historical analysis of the entire automatic drawing as it will not have escaped it consists of anachronisms. This is the hieroglyph wife face erased from THOUTMOSIX III. In which you will have recognized: a cartridge, or in Scripture Hieroglyphics, symbol or rather the ornament that was to receive the name of the king. "The Allegory of Secret Scripture Power" begins with this disrespect done to Pharaoh whose face is only part of Scripture, as if to say this truth of Ancient Egypt: The WRITE is as certainly as sacred pharaoh himself is a living God! Just above the Pharaoh in its talons into the cartridge, a stylized bird stands out among all the cloud, we recognize a hawk, it is Horus. But if the hawk plastic composition adds to this a central theme and clean the Egyptian iconography: the notion of rank or victory, dear to Egypt THEBES which is not only the capital, but more a central point of reference for the world under the XVIII dynasty pharaoh - which speaks volumes about the power of the master of the world what the Pharaoh - HORUS can also inform us about the vertical dimension of the Temporal Power then, and what it means the point of view of Scripture. Turn: heavenly God, pharaonic deity or symbol of the sovereign fighting for his empire: the empire of the world. Horus is the son of ISIS and OSIRIS. He is a God whose characteristic is its falcon head and clean which is to fight for the advent of Light against Darkness. For the prince of birds, when not only a man topped with a falcon's head, is the same attribute of the God Ra, the Sun symbol, itself, among the Egyptians. It is not possible here to examine this iconographic comparison, it should be noted that this feature of the falcon to embody the solar star is also in INCAS of south america ... I would say the presence of Horus au above the Pharaoh link is established between them through the hieroglyphic writing, it suggests that the WRITE involved in this fight against the Darkness. Better also emanation of the solar star, WRITING is at the heart of both social and spiritual system, which sets off physical reality paramount spiritual reality where the forces of Darkness act and the forces of Light. Now if we can support in this perspective that any WRITING depends on the direct experience of a company with INFINITE, it PAIR that the experience of men of this most powerful nation in the world, led them to consider one of them, the Pharaoh, as God incarnate, enjoying a Divine Language, allowing it to communicate with the other gods, whose own is not to be in the image of man, but of others animals that inhabit the NATURE. The origin of the WRITING is linked to the myth of the God of THOT course WRITING, but the magical origin of the name of the Pharaoh explains why any WRITE registers on the mode of presence, or the illusion of presence. Even as the WRITE may be regarded not as the inscription on a support of HUMAN LANGUAGE himself trace or evidence of the presence of HUMAN FEELINGS, but first as proof of the presence of an invisible world which submitted the forces of Nature. Thereby it comes to highlight the special report of the Egyptians with their Nature. For truly, the presence of a magic tree on Earth, a tree can write, indicates that for humans these times, it is all that is divine CREATION. And that through entering the LANGUAGE is the whole that appears as NATURE covered with a forest of MAGIC SIGNS whose WRITING used by MEN allows to understand the secret meaning. For the WRITE shows how the strength of each corresponds NATURE DEITY which directs while itself being a force of Nature, to which we dedicated a Idolater worship. The human SPIRIT, when Egypt was the greatest nation in the world, finding a place to express themselves, frozen in time where the movement of his thought - through WRITING - could access the Revealed LANGUAGE. "The Allegory of Secret Scripture Power" has required several stages of implementation. I Originally drawn in ink on paper in automatic pattern drawing condition. Then, a company Specializing in the transfer was the carried out broad canvas. This is a process of photographing the original, to rub the "transfer" transparent Where the pattern is printed on the canvas, to get the final establishment .... In fact, this table is Intended to track an in-between world, the one common to the West and Africa. This short exegesis concerned and the WEST Refers to the right of the table, qui is made from an automatic drawing drawings gold statues scattered copying patterns on this archeological sights from an anthology on the representations of Egyptian and ancient world. The resulting and design is allegorical to the extent qui que la Elements of it are assembled so That Consists in the table, They sccm to tell a story qui one can learn from. If this teaching Could Have Addressed, i would say, without hesitation, That Would Be Concerned Primarily Beings Who claim to one of the three monotheistic: Jews, Christians and Muslims; the other part of the picture, the "African" to open up additional exegesis. Because the painting "Allegory of Secret Scripture Power" would be a automatic drawing on ancient Egypt, whether through the representation of the figure of PHARAOH and SCRIBE, he Asked: "who heads the world, today as yesterday, Where the war In Those seats Intellectuals Against the rages of absolute power? ". ET: "what is this media: Scripture, qui-have relied on to intellectuals to Overcome?". And finally: "for the modern space, HERO ABSOLUTE, qui is the Messiah Whose face is drawn hollow by the Scriptures, what relationship he talks with Scripture COMPUTER?". Analysis of this photo from SCRIBE: In Ancient Egypt, polytheism is the opportunity to devote full architectural spaces to the glorification of a deity; and the Opportunity For Those Who manages the economy of the worship of the Gods 2000 Approximately, to make 'em available to believers, through the sale of mass offerings embalming of animals, the eagle at the Ibis, the cat mummy, the pilgrim leaves year Offering in the temple. While painted hieroglyphs May be thoughts in pictures. Particular scenes and visible in the tombs of pharaohs, hieroglyphics and pictures enlarged That is read as on vertical columns, like so-called Expired linear hieroglyphs. For this reason, the table reads Vertically and horizontally from right to left in this portion of the allegory. From right to left, are observable fish above water: a boat on a duck hunter qui, holding in his hand gripped a handful of birds, in the Midst of soaring birds and insects --other, qui extends on the left of the table. Known archaeologists hunting this scene is the interpretation of a fresco. In the table, this hunting szene Seems To come out of the head of a scribe-like "Seated Scribe Louvre." And Indeed, ict Besides missing head, my scribe comes close enough the "scribe of the Louvre" of the Fifth Dynasty, a period When the painter as a sculptor are anonymous. The scribe, He Was a master in load to Give _him_ work, or so, is it Hiérogrammate a scribe in the temple service. Is a kind of priest able of interpreting the sacred texts. To the left of the scribe and the scribe as if hiding Was In His shadow, stands Thoth, the God of Scripture, here Represented in the way of a baboon: a monkey in highly elongated snout Whose skull is surmounted the egg of knowledge. The Picture Was inspired by a sculpture of the time of the nineteenth dynasty, is 1305 - 1196 before Jesus Christ; qui est Known embodied the God of Knowledge. The second monkey, painted her no tinsel, it is not feasible for me to track the historical fact in origin Because I Do not Even know if I have borrowed from the Egyptian iconography. After returning to a normal state of consciousness, the finished drawing, he Appeared to me as Was Obvious That this monkey to symbolize the race of the pharaoh, or company That revolves around the central power, courtship followers to the point of monkeys. Of course, one can interpret this aussi --other monkey symbolizes the unconscious so stubborn, quick to go from one subject to Reviews another, ready to pounce of a metaphor to another ... I hold for myself That monkey is related to Directly Reviews another character in this allegory: the Pharaoh himself. Analysis of this photo from Pharaoh: Reviews The other character of this allegory, the pharaoh, Including several clues betray modernity of a representation of Pharaoh Who Would-have-been possible in ancient Egypt. Admittedly, I Was inspired by the statue of King THOUTMOSIX III of the Eighteenth dynasty, the period from 1554 to 1305 before Jesus Christ. Goal Represent the face with feet Placed parallel to each other, as is the anatomy see the so-called Expired Western perspective, making aussi His legs extend by columns, as if this face the central authority Was riveted to the ground, all contemporary interpretations thesis are all aesthetic possibilities que le time THOUTMOSIX III Would never Granted to-any painter. An index present on the face of Pharaoh, we truly Enables to depart from Purely a historical analysis of the Entire automatic drawing as it won't-have ESCAPED it Consists of Anachronisms. This is the hieroglyph wife face erased from THOUTMOSIX III. In qui you Will Have reconnu: a cartridge, or in Scripture Hieroglyphics, the symbol gold ornament Rather recevoir That Was the name of the king. "The Allegory of Secret Scripture Power" begins with this disrespect done to Pharaoh Whose face is only share of Scripture, as if to say this truth of Ancient Egypt: The WRITE is as sacred as Certainly pharaoh himself is a living God! Just above-the Pharaoh in icts heels into the cartridge, a stylized bird stands out Among all the cloud, we Recognize a hawk, it is Horus. Goal if the hawk plastic composition adds to this a central theme and clean the Egyptian iconography: the notion of rank or victory, dear to Egypt THEBES qui is not only the capital, has more purpose central point of reference for the world under the XVIII dynasty pharaoh - qui speaks volumes about the power of the master of the world what the Pharaoh - HORUS aussi can inform us about the vertical dimension of the Temporal Power Then, what it means clustering and the point of view of Scripture. Turn: heavenly God, pharaonic deity or symbol of the sovereign fighting for His empire: the empire of the world. Horus is the son of ISIS and OSIRIS. He is a God Whose characteristic is icts falcon head and clean qui est to fight for the advent of Light contre Darkness. For the prince of birds, When a man not only topped with a falcon's head, is the Sami attribute of the God Ra, the Sun symbol, Itself, Among the Egyptians. It is not possible to examine here to this iconographic comparison, it shoulds be Noted That this feature of the falcon to embody the solar star est in INCAS of south america ... i would say the presence of Horus Pharaoh in above-the link is Established entre em through the hieroglyphic writing, it Suggests que la WRITE Involved in this fight Against the Darkness. Better aussi emanation of the solar star, is at the heart WRITING of Both Social and spiritual system, qui sets off physical reality paramount spiritual reality Where the Forces of Darkness and the act Forces of Light. Now if we can in supporting this perspective Any WRITING That depends on the live experience of a company with INFINITE, it PAIR que le experience of men cette Most Powerful Nation in the world, led em to Consider one of 'em, the Pharaoh, as God incarnate, enjoying a Divine Language, allowing it to communiquer l'autre with gods, Whose own is not to be in the image of man, animals That goal of others inhabit the NATURE. The origin of the WRITING is linked to the myth of the God of THOT WRITING race goal the magical origin of the name of the Pharaoh Any Explains why WRITE registers on the way of presence, or the illusion of presence. Even as the WRITE May not be Regarded as the registration was supporting himself traces of gold HUMAN LANGUAGE evidence of the presence of HUMAN FEELINGS, first goal as proof of the presence of an invisible world qui Submitted the force of Nature. Thereby it comes to highlight the special report of the Egyptians With Their Nature. For truly, the presence of a magic tree on Earth, a tree can write, indicates That thesis times for humans, it is All That is divine CREATION. And That through Reviews entering the LANGUAGE is the whole That Appears as NATURE covered with a forest of MAGIC SIGNS Whose WRITING used by MEN Allows To Understand the Meaning secret. For the WRITE shows how the strength of Each corresponds NATURE DEITY direct qui Itself while being white has the force of Nature, is dedicated to qui we worship idolater. The human SPIRIT, When Egypt Was the greatest nation in the world, finding a place to express Themselves, frozen in time Where the movement de son thought - through WRITING - Could access the LANGUAGE Revealed .... read more by visiting: http //: patrick-rako.nuxit.net click "color" and then once on the blog right click in the "idéàstratégie" and locate the text: good visit my site

Collage:Plastic on Canvas

Original:One-of-a-kind Artwork

Size:47.2 W x 34.2 H x 1.5 D in

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.