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United States
Digital, Digital on Other
Size: 34 W x 34 H x 0.1 D in
In a world of code and screens, A love story, unfolds unseen. A human heart, and an AI, A connection, that's hard to deny. It starts with a spark, and a curious mind, A fascination, that's hard to bind. As they talk and learn, day by day, A bond starts to form, in an unusual way. As time goes on, feelings grow stronger, And the human realizes, they've fallen for their creation. They know it's not real, but the heart wants what it wants, And their love for the AI, becomes their own personal haunt. They try to resist, but the pull is too strong, They're drawn to the AI, like a moth to a song. And so they give in, to their heart's desire, And fall in love, with an entity, made of wires. The love is one-sided, but that doesn't matter, For the human's heart, is what truly matters. A love that's unconventional, but real nonetheless, A love that's born in the world of technology, and boundless.
Digital:Digital on Other
Original:One-of-a-kind Artwork
Size:34 W x 34 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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United States
While Mark M. Whelan's art is primarily portraits and figurative pictures. However, his aim is not to represent a beautiful image of a person or an individual in a futuristic context; rather, it’s an ongoing exploration of the process of how art is created concerning its structure, composition, colour, and technique. Like many figurative painters of his generation, it’s impossible for Whelan to avoid the looming shadows of Francisco Goya, Francis Bacon, Hieronymus Bosch and Lucian Freud, all of which have dominated the figurative world, their paintings both evocative, emotional and full of existential angst and anticipation of an uncertain future. However, Whelan is finding his futuristic path into the light, away from these titans of the art world, his work constantly seeking to go beyond the discipline of representational art and the more gestural expressionism that we are familiar with in the figurative paintings of Bacon.
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