VIEW IN MY ROOM
Nature's Awakening Artwork - Limited Edition of 20
Brazil
Digital, Digital on Canvas
Size: 31.5 W x 47.2 H x 0 D in
Ships in a Tube
Shipping included
Artist Recognition
Artist featured in a collection
About The Artwork
- FINE ART PRINTINGS - Canvas: Canson Museum Pro Canvas 385 gsm 100% cotton - Printed: HP Z9+ DreamColor mineral pigment - Made in Brazil Amateurs, professionals, enthusiasts, not a weekend goes by without jumping into the saddle along the roads of this generous land, with its hills and vast expanses where you can cycle freely, enjoying the smell of the sea on the horizon. Live as if you were always on vacation, cycling on ever-new itineraries, from the most demanding ones that last a whole day, to the light ones that delight you for a few hours. Immersed in a landscape that is never the same, from the peaceful countryside of Ferrara to the relaxing coastal strip, from the gentle hill country of Rimini to the steep slopes of the Apennines. The possible itineraries are many and suitable for everyone: from families with children, to those who use their bicycle more occasionally or to those who are willing to make a little effort just to reach places of great beauty. * Prints on paper: contact directly by email. (Premium Paper Hahnemuhle RAG 308 100% cotton)
Details & Dimensions
Digital:Digital on Canvas
Artist Produced Limited Edition of:20
Size:31.5 W x 47.2 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Brazil.
Customs:Shipments from Brazil may experience delays due to country's regulations for exporting valuable artworks.
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Brazil
Photography and conceptual art form a complex pair. If some photographers claim that photography played a mere documentary role, others, on the contrary, point to the use of specific resources, by some artists, which allow the technical image, its visual possibilities and its social meanings to be problematized. I believe that the characterization of photography used by us conceptual artists is, however, accompanied by other considerations that allow us to problematize a relationship that is apparently easy to determine. Thanks to a set of factors, including lightness and fragile material consistency, the decline of the object in favor of attitudes and processes. Faced with the challenge of using matter “in a paradoxical way”, of inventing an art based on the greatest possible economy of means, the conceptual artist uses technical image in accordance with Sol LeWitt's proposition that it is possible to present ideas “through of numbers, photographs or words, or any way the artist chooses, since the form is not important. For me, a photograph needs to have a soul, a voice and overflow with feeling. This is the basis of my photography.
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