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Alessandro Nesci
Italy
Digital, Woodcut on Wood
Size: 9.8 W x 7.9 H x 3.9 D in
Ships in a Crate
Shipping included
Trustpilot Score
1417 Views
4
Xylography, black and white, THREE GIRLS IN THE WOODS (Series on Expressionism and Espressionist black and white woodcut) Original print will be signed by Alessandro Nesci To requests, information or more details please contact me by email () or visit my website . Digital woodcut, Expressionism. My artistic research is not limited to Greek and Roman statuary or the landscape of the Roman Campagna. The beginnings of my research has been focused on painting German Expressionism (painters such as Kirchner, Müller, Nolde, Heckel), a fundamental moment for the art of the early twentieth century. If you buy original or print please contact me by email: I'll happy to know you. To requests, information or more details please contact me by email or visit my website
2014
Woodcut on Wood
1
9.8 W x 7.9 H x 3.9 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Italy.
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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A hard personal experience superimposed on the covid period, which changed my life forever, gave me reason to appreciate even more the strength of color, line and expression. "The Whole goes beyond Form". I enjoy expressing myself with different techniques: painting, drawing, photography. I can imagine that initially the collector or the beholder of my works can be a little crowded out or confused. The hallmark of my work is not found in the repetition of the same technique, again and again, but in some features of the technique itself and. The sign, the theme, the subject... are the way you can recognize my "signature." Living in Italy, every day I live together archeology, painting, architecture and Roman statuary, the Renaissance, the Baroque and all the other great styles, artistic periods and collections that are here, in Rome and in Italy. This is in my history, in my roots. In the history and roots of Western art. I have always felt a fascination for drawing since I was a child. I was fascinated by the idea of translating fantasy stories or even the first knowledge I got in school in images. I remember my notebooks: they were full of stories with drawings and illustrations of what I was learning at school. This is the way I learned new techniques and I improved my abilities: pencil, charcoal, pen, oil-colours, acrylics, using different styles and painting supports. I have painted soft and wavy landscapes, which sometimes are rough and separated by plains. I saw these landscapes in Rome as I was a child and they come to my mind in my every day life. This is the Nature where History traces overlap and they get, in turn, enveloped by Nature. There is a continuous and silent conflict between these two elements. These conflict, together with Rome and its history, its streets, its ruins and of course its colours is the leit motiv of my work. These themes are here, at your fingertips. It's present history. I cannot describe with words what exactly I feel when I'm surrounded by these "strong" landscapes and I try to paint them. I have completed my knowledge on image studying and acquiring certificates on web design and commercial art and working as a graphic designer. At the moment I work in the Public Italian School as an Art Teacher. I took part in many collective exhibits. My works are in private collections in Italy, Europe, Japan, USA, China, Australia.
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