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Medium sized drawing depicting a seated male figure in ink, acrylic, watercolour and pastel on 200gms smooth paper.

work is titled and signed on the front.
Medium sized drawing depicting a seated male figure in ink, acrylic, watercolour and pastel on 200gms smooth paper.

work is titled and signed on the front.
Medium sized drawing depicting a seated male figure in ink, acrylic, watercolour and pastel on 200gms smooth paper.

work is titled and signed on the front.
Medium sized drawing depicting a seated male figure in ink, acrylic, watercolour and pastel on 200gms smooth paper.

work is titled and signed on the front.

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4-21-16 seated figure

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4-21-16 seated figure Drawing

thomas donaldson

Thailand

Drawing, Ink on Paper

Size: 15 W x 22 H x 0 D in

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Originally listed for $240View Print Options
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2019

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About The Artwork

Medium sized drawing depicting a seated male figure in ink, acrylic, watercolour and pastel on 200gms smooth paper. work is titled and signed on the front.

Details & Dimensions

Drawing:Ink on Paper

Original:One-of-a-kind Artwork

Size:15 W x 22 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Thomas is an English painter based in Asia. His visceral works utilize the human figure/head juxtaposed with abstract mark making. This is achieved through the application of thick impasto paint, dragging and smudging the surface plus the occasional intervention of the "˜happy accident' or chance. All these elements contribute in the process of making or building a painting. This abstract quality is further emphasized by deliberate close cropping of his subject. The works also acknowledge certain aspects of the existentialist premise that one cannot fully know or experience the reality of another person, and that this separateness underlies our daily consciousness, hence the cropping and fragmented surface facilitates a way as to express this experience , as only a part of the subject is revealed. Although the works are representational and figurative they intend to suggest, rather than depict an accurate observation of his subject. This is more apparent as the viewer approaches the work, the painted surface dissolves into a seemingly unorganized arrangement of blotches and irregular textures.

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