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A Womb Drawing

Ellen Hausner

United Kingdom

Drawing, Graphite on Paper

Size: 11.7 W x 8.3 H x 0.4 D in

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About The Artwork

This piece is examining the many sides to the issue of women’s bodies in medicine. On one hand, as a predominantly male profession for centuries, we find there is still a tendency for the medicalisation of women. Hysterectomies and caesareans are often carried out unnecessarily, and women’s bodies are seen as the exception to the rule of the male body. We are taught that menstruation, pregnancy, and menopause are problems that can only be handled with drugs or surgery. But on the other hand, these are deeply personal processes which give rise to a host of challenges, not to be spoken of in public. Normal effects of hormones, pain, and psychological changes which happen during a woman’s life are ridiculed, and we understand they should be pushed aside to live what is considered a normal life. This drawing explores the tension between the unwanted control from the outside and the difficulties in handling internal transformations. This drawing was exhibited at The Jam Factory, Oxford, in a group exhibition called 'Hatched 2018'. The work is already mounted on archival mountboard, making it safer and easier to ship.

Details & Dimensions

Drawing:Graphite on Paper

Original:One-of-a-kind Artwork

Size:11.7 W x 8.3 H x 0.4 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My work changes and moves constantly, which is a reflection of my international background, my constant travels, and my personal quest. Born in New York City, I grew up in Asia, in cultures where both worship and meditation are an integral part of everyday life. This constant sense of the sacred permeates my work, which explores the themes of evolution, transformation, and transmutation. I have practised vipassana meditation for over twenty years and it is central to my vision as an artist. That meditative state of mind is the starting point of creation for me, and I let it through by allowing the colours to present themselves, the figures to emerge, the forms to find their way into existence, and subconscious and deeply hidden elements of the psyche to come to light through the suggestion of the paint. My work is an exercise in process. I work with a great range of painting, drawing, and printmaking media, and with a background in painting and paper restoration, my work often involves fine detail. Much of my artistic schooling has been in traditional technique, but I am interested in applying those techniques to create something personal. It is the mood of the artwork which interests me above all else, and different techniques can contribute to that as much as the theme. My work is in private collections worldwide: in England, Sweden, Norway, Germany, Greece, South Africa, Australia, and the USA (New York, California, and Texas).

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