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Beek-Ubbergen – 28-09-20 Drawing

Corné Akkers

Netherlands

Drawing, Color on Paper

Size: 11.7 W x 8.3 H x 0 D in

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About The Artwork

Beek-Ubbergen – 28-09-20 Beek-Ubbergen Just outside Nijmegen towards the German border there are two places of beauty called the Ooij Polder and the start of the ‘Nijmeegse Heuvelrug’, part of the Lower Rhine Heights. For people living outside The Netherlands it must be a sorry sight but at least there are hills and I know them very well for whole my life. My paintings The Ooij Polder (2013) and The Elysian Fields (2013) are situated in them. Exact spot The drawing was not made at the spot but today. I took the photo in Spring though but weather conditions last days were pretty bad. Perhaps this one expresses my longing for sketching outdoors. Hopefully we still will get some Indian Summer days this year. The spot by the way is in The Ooij Polder, along the riverside of ’t Meertje. On the other bank the village of Beek-Ubbergen starts. Impressionism in Colored Pencil I wanted to do an impressionistic landscape again like my previous drawing Notenboompark 18-09-20 since this only the second executed in colored pencil in that style. My diagonally layed hatched strokes accidentally fit the angle of the sun rays perfectly, whereas the strokes depicting the water were placed in the direction of the waves. It was a great study after color relations with colored pencil. I noticed I had to work a little bit harder in order to get some saturation. As to this the paper is very unforgiven and the nature of the colored pencil is that a stroke once laid, cannot be undone. Nevertheless, I think I managed to keep my colors clean. Colored pencil drawing on Talens Mixed Toned Color paper (21 x 29.5 x 0.1 cm) - A4 format) Artist: Corné Akkers

Details & Dimensions

Drawing:Color on Paper

Original:One-of-a-kind Artwork

Size:11.7 W x 8.3 H x 0 D in

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1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.

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