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Drawing, Pencil on Paper
Size: 39.4 W x 27.6 H x 0.1 D in
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$700
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1283 Views
12
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ABOUT THE ARTWORK
Colored pencil on Canson Paper 220 grs. This drawing was made in 2012. It was one of my first explorations of lines and processual art. I remembered when I thought what had happened if I had drawn only lines from up to bottom in one single movement. Lines over lines. The line as the remnant of the gesture. It's a path across space and time, which is evidenced by the support along the line. I began by limiting the field of expression to the minimum possible and fixed measures. When the color is an index, it's the certainty of the stroke and its verification. It makes the trace visible.
Original Created:
2012
Subjects:
Materials:
Mediums:
DETAILS AND DIMENSIONS
Drawing:
Pencil on Paper
Original:
One-of-a-kind Artwork
Size:
39.4 W x 27.6 H x 0.1 D in
Frame:
Not Framed
Ready to Hang:
Not applicable
Packaging:
Ships Rolled in a Tube
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Spain.
Customs:
Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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I live in Barcelona, Spain. I was born in Bahia Blanca on December 9, 1969. When I was 6 years old, along with my parents and brothers, I moved to Sierra Grande, a desolate mining town in Patagonia Argentina. Then we traveled north and settled in Carmen de Patagones. I lived 20 years in Patagonia. From that experience I remember the endless views over the desert plateau sinking into the sea. Orange sunsets while paddling on the Rio Negro. Cold and windy. Blue sky and loneliness. At the age of 26 I moved to Buenos Aires, where I lived until 2016. In 2016 I moved to Barcelona, Spain, and this is where I live, work, have family and friends. My artworks arise from the confrontation between what I want and what I get; a leap into uncertainty between the desire to do and the impotence of doing it. The body"”oscillating"”is in the middle. Each line is the trace of a movement. The work is constructed by accumulation, color on color and line upon line. The strokes are like a bridge between two shores, a web that links fragments. Intensity is an essential component of my work and forms part of a vital dynamic. The experiential operates as a time shift: a difference that is installed on the continuum of reality; a gap that lets you see what is hidden from the view. http://www.youtube.com/watch?v=E6KV229O9XQ
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