VIEW IN MY ROOM
United States
Drawing, Digital on Other
Size: 13 W x 19 H x 1 D in
Ships in a Box
Hop Frog's Revenge is an intervention with an etching by the famed painter James Ensor. Utilizing my own photography of both carnival in Oostende, Belgium and Donald Trump, I created a digital collage with pigment ink and then added watercolor and charcoal to the image. The story that inspired both James Ensor and myself, was written by Edgar Allen Poe and based on a medieval folk story. This narrative centers on the narcissism and abuse of those in power. It is a timeless tale which certainly speaks to our current times and political climate. Please note there are two different but similar versions of this piece.
Drawing:Digital on Other
Original:One-of-a-kind Artwork
Size:13 W x 19 H x 1 D in
Frame:White
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Miles Ladin is a photographic artist born, raised, and working in New York City. His art explores contemporary society, both mainstream and the world of privilege, from a critical standpoint. Whether focusing on New York City black tie galas, the world of high fashion, the ritual of swimming pool bathing or other subjects, his work is a visual commentary about wealth, power, fame, desire and identity. Dark humor and visual complexity permeate his artistic vision. His photography relating to celebrity culture has been internationally published, exhibited, and collected. In addition to photographic prints, his practice includes artist’s books that integrate ideas about literature, biography, and narrative. These editions include the 2015 “Supermodels at the End of Time”, which is included in the MoMA / Franklin Furnace Artist Book Collection. This volume combined Ladin’s photography from the 1990s with text by Bret Easton Ellis. In 2016 Ladin created an installation for Hudson Guild, NY that combined 20 years of his imagery that formed a sardonic commentary on the American Dream. In the last few years, Ladin has been developing a long-term body of work titled Ensor Suite, relating to the Flemish painter James Ensor. The project includes photography of zombie costumers in Asbury Park, NJ and carnival participants in Ostend, Belgium where Ensor worked. For Ladin, the contemporary costumers represent a growing mainstream titillation with pain, suffering, decay, and death. While working on this project, Ladin has expanded his studio practice to include mixed media, drawing, and painting. The gallows humor reflected in his previous pictures of the rich and famous is now brought into play with these recent works that takes the viewer into the world of comic-con, zombie parades, and the famed Flemish carnival of painter James Ensor. Work from Ensor Suite was recently on display in Ladin’s 2019 solo exhibition Masquerade at the Java Project, Brooklyn.
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