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"Ingravidos y peregrinos 1"“Weightless and pilgrims 1” Drawing

roberto lopez derpich

Drawing, Watercolor on Paper

Size: 10 W x 14 H x 0 D in

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About The Artwork

Watercolor of the exhibition “Ingrávidos y peregrinos” (“Weightless and pilgrims”), 1993. It’s inspired by the first gulf war, 1991. That was the first war that was direct transmitted on TV. We were Witnesses of the people were dying, on real time. The victim we saw on TV, they made the sensation, because what we sow they were only images, that it was more around the idea of soul than of a really experience to meet a really person. The victims were flying over our heads and mind, on their way to beyond. “Ingrávidos y peregrinos is the interaction of two elements: the people that flying over the landscape and those landscape as a background. This background is refereed of aerial photos of the desert of Kuwait in the war. The desert was black because was covered of an ashes from the burning of the oil wells. Over the desert drove along all type of vehicles, they’re wheels were doing clear marks in the sand. When you have a view from above you can see like a drawings on the desert, they are the backgrounds

Details & Dimensions

Drawing:Watercolor on Paper

Original:One-of-a-kind Artwork

Size:10 W x 14 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

ROBERTO LOPEZ DERPICH (Santiago-Chile-1958) He makes research in the School of Arts in Kassel (Gesamthochschule) and then at the Academy of Fine Arts in Stuttgart (Hoch Schule für bildendekunste). During this period he developes a musical project based on graphical interpretation. In Stuttgart (1983 neoexpressionist tendency period) he develops a group of paintings based on the texts of Seattle, Indian chief of the Duwamish tribe of south western Canada. These paintings are a pictorial and poetic tribute to the ecological text of Seattle. In 1993, Mallorca, the exhibition “Weightless and pilgrims” is a result from the combination of two elements, the human figure levitating, and the”landscape” in the Kuwait desert after the 1991 war. He exhibited in Chile – Germany and Spain (Mallorca) where he lives. In recent years, he has been developing a research based on issues such as the multiplicity of image, the changes of a post-industrial digital information society and the interaction of pictorial and stylistic languages.

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