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Alessandro Nesci
Italy
Drawing, Watercolor on Paper
Size: 7.9 W x 5.9 H x 0.1 D in
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714 Views
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Italian landscape: Casal Rotondo on Appian way, Rome, Italy - Watercolor Landscape of Roman countryside serie, 2005 Casal Rotondo is the largest tomb on the Appian Way, to the southeast of Rome, Italy. A small farmhouse has been constructed on the top. The structure is found at approximately the VIth mile of the ancient Appian Way. The name comes from the fact that the tomb is round and because a farmhouse (casale) was built on the top in the Middle Ages, when it belonged to the Savelli family and was one of a system of watchtowers along the Appian Way. The mausoleum dates from around 30 B.C. It is a large circular building with a diameter of 35 m, decorated with a frieze and, originally, had a cone-shaped roof. The base offered seats where travellers could rest out of the sun. Near the mausoleum, the archaeologist Luigi Canina (1795-1856) built a brick wall containing architectural fragments. These were originally thought to have been from the Casal Rotondo but this is now disputed. Canina deduced from a small piece of inscription with the name "Cotta" that the monument had been built by M. Aurelius Cotta Messallinus for his father, Marcus Valerius Messalla Corvinus, but this inscription and other architectural fragments are now assumed to have come from a smaller monument at the site, and they may have nothing to do with Messalla Corvinus.
2005
Watercolor on Paper
One-of-a-kind Artwork
7.9 W x 5.9 H x 0.1 D in
Not Framed
Not applicable
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A hard personal experience superimposed on the covid period, which changed my life forever, gave me reason to appreciate even more the strength of color, line and expression. "The Whole goes beyond Form". I enjoy expressing myself with different techniques: painting, drawing, photography. I can imagine that initially the collector or the beholder of my works can be a little crowded out or confused. The hallmark of my work is not found in the repetition of the same technique, again and again, but in some features of the technique itself and. The sign, the theme, the subject... are the way you can recognize my "signature." Living in Italy, every day I live together archeology, painting, architecture and Roman statuary, the Renaissance, the Baroque and all the other great styles, artistic periods and collections that are here, in Rome and in Italy. This is in my history, in my roots. In the history and roots of Western art. I have always felt a fascination for drawing since I was a child. I was fascinated by the idea of translating fantasy stories or even the first knowledge I got in school in images. I remember my notebooks: they were full of stories with drawings and illustrations of what I was learning at school. This is the way I learned new techniques and I improved my abilities: pencil, charcoal, pen, oil-colours, acrylics, using different styles and painting supports. I have painted soft and wavy landscapes, which sometimes are rough and separated by plains. I saw these landscapes in Rome as I was a child and they come to my mind in my every day life. This is the Nature where History traces overlap and they get, in turn, enveloped by Nature. There is a continuous and silent conflict between these two elements. These conflict, together with Rome and its history, its streets, its ruins and of course its colours is the leit motiv of my work. These themes are here, at your fingertips. It's present history. I cannot describe with words what exactly I feel when I'm surrounded by these "strong" landscapes and I try to paint them. I have completed my knowledge on image studying and acquiring certificates on web design and commercial art and working as a graphic designer. At the moment I work in the Public Italian School as an Art Teacher. I took part in many collective exhibits. My works are in private collections in Italy, Europe, Japan, USA, China, Australia.
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