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Octagon II Drawing

Emila Sirakova

Italy

Drawing, Graphite on Paper

Size: 14.2 W x 20.3 H x 1.8 D in

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Originally listed for $1,000
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286 Views
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About The Artwork

The inspiration of this work was a performance, named Turpiacque, where I was co-founder, costume designer and performer at Step 09 - ArtFair in Milan in 2010. The three woman represented the water animals in trouble after many ecological disaster from the past years and their dance represents the human concerns, grief and the desire to escape from harsh situations that sometimes are seen as insurmountable. The view behind is the central Gallery in Milan city center known as Galleria Vittorio Emanuele. The gallery is very famous in the world and is covered by an characteristic octagonal-shaped dome. I wanted to work on the theme of nature and city life and their coexistence.

Details & Dimensions

Multi-paneled Drawing:Graphite on Paper

Original:One-of-a-kind Artwork

Size:14.2 W x 20.3 H x 1.8 D in

Number of Panels:2

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Emila Sirakova was born in 1984 in Bulgaria and lives in Italy since 1994. She begin to drawing at 5 years old and from this point never stops. Through painting and performances, Emila faces and deepen the experience of the human body, as a projection of the being, vision of self and her own emotions. All the characters try to have an external look on themselves among so tense and twirled positions that could be turned into draconian emotions: all those moments when, crouched down, we think, overthink, try to forget or dream. In all those moments we just go numb: we loose contact with flash and bones and we try to touch that part of ourselves made of spirit, traces and gestures. Emila uses several layers of papers and strokes, blending them together as a stream of consciousness or memories. Not always clear, often nostalgic and dim, pale images and maniacally detailed particulars live together. Emila mostly depicts feminine figures, the subconscious, the primordial feminine origin, using them to spread all her dreams and projections. Sometimes pleasant, sometimes provocative or dark. In her last works, Emila develops the theme of drawing on draws: tattoos. Seen as a tale, a moment, like thoughts busting out from flash, with constant homage to famous artists and paintings which made art history. Another level of tale is the canvas: ancient used papers gathered from second hand markets. A sort of tale into the tale which shows us a world full of thoughts and dreamlike projections, brought back to us with vivid colors tied to the tattoo tradition’s inks, as the blue, red and black for bigger paintings.

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