Pontormo - Italian Renaissance, Mannerism, drawing portrait, Jacopo Pontormo Drawing by Alessandro Nesci

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Pontormo - Italian Renaissance, Mannerism, drawing portrait, Jacopo Pontormo

Alessandro Nesci

Italy

Drawing

Size: 9.1 W x 9.8 H x 0 in

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1987

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Art Description

Drawing: Charcoal, Graphite, Tempera, Conte, Pencil on Paper.

Pontormo - Italian Renaissance, Mannerism portrait.
Pontormo - Portrait of italian Renaissance Mannerist artist Pontormo (Jacopo Carucci).
Sanguine, carcoal, conte, watercolor, tempera, pencil, graphite on canson paper.

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Jacopo Carucci (May 24, 1494 – January 2, 1557), usually known as Jacopo da Pontormo, Jacopo Pontormo or simply Pontormo, was an Italian Mannerist painter and portraitist from the Florentine School. His work represents a profound stylistic shift from the calm perspectival regularity that characterized the art of the Florentine Renaissance. He is famous for his use of twining poses, coupled with ambiguous perspective; his figures often seem to float in an uncertain environment, unhampered by the forces of gravity.

Jacopo Carucci was born at Pontorme, near Empoli, to Bartolomeo di Jacopo di Martino Carrucci and Alessandra di Pasquale di Zanobi. Vasari relates how the orphaned boy, "young, melancholy and lonely," was shuttled around as a young apprentice:
Jacopo had not been many months in Florence before Bernardo Vettori sent him to stay with Leonardo da Vinci, and then with Mariotto Albertinelli, Piero di Cosimo, and finally, in 1512, with Andrea del Sarto, with whom he did not remain long, for after he had done the cartoons for the arch of the Servites, it does not seem that Andrea bore him any good will, whatever the cause may have been.
Pontormo painted in and around Florence, often supported by Medici patronage. A foray to Rome, largely to see Michelangelo's work, influenced his later style. Haunted faces and elongated bodies are characteristic of his work. An example of Pontormo's early style is a fresco depicting the Visitation of the Virgin and St Elizabeth, with its dancelike, balanced figures, painted from 1514 to 1516.


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